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Oh No!: Or How My Science Project Destroyed the World

Oh No!: Or How My Science Project Destroyed the World

Hardback

By (author) Mac Barnett, Illustrated by Dan Santat

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  • Publisher: Hyperion Books
  • Format: Hardback | 40 pages
  • Dimensions: 267mm x 305mm x 13mm | 386g
  • Publication date: 1 June 2010
  • Publication City/Country: New York, NY
  • ISBN 10: 1423123123
  • ISBN 13: 9781423123125
  • Illustrations note: colour illustrations
  • Sales rank: 113,096

Product description

Some kids are too smart for their own good...and maybe for everybody else's good. When an overly ambitious little girl builds a humongous robot for her science fair, she fully expects to win first place. What she doesn't expect is the chaos that follows. Mac Barnett, a new picture book author on the rise, and Dan Santat, illustrator of Rhea Perlman's Otto Undercover series, combine forces to create a hilarious kid's eye account of the kind of destruction that comes only from a child's good intentions. This book is sure to appeal to kids and parents familiar with the ordeal of science fairs.

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Author information

Mac Barnett (www.macbarnett.com) is a writer living in Oakland, CA. He's also the Executive Director of 826LA, a nonprofit writing and tutoring center, and founder of the Echo Park Time Travel Mart, a convenience store for time travelers (seriously). Dan Santat (www.dantat.com) is the author and illustrator of "Guild of Geniuses" and the illustrator of many books, including "The Secret Life of Walter Kitty" by Barbara Jean Hicks. He has an animated series for Disney called "The Replacements." He lives in Southern California.

Review quote

This graphic novel in picture-book form will appeal to the "Captain Underpants" set. A young girl builds a robot for the science fair, but things get crazy when it goes on a rampage through the city. That's when she realizes that she forgot to give it any skills that would allow it to understand her commands to stop. She creates a giant toad monster to fight the robot but the toad has its own problems. Santat's Photoshop illustrations propel the story far more than the text, and the dialogue balloons, dramatic perspectives, and graphic style bring a true comic-book sensibility to this funny story that's loaded with child appeal. SLJ"