Noise, Water, Meat: A History of Voice, Sound, and Aurality in the ArtsPaperback
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- Publisher: MIT Press
- Format: Paperback | 465 pages
- Dimensions: 176mm x 224mm x 26mm | 721g
- Publication date: 15 October 2001
- Publication City/Country: Cambridge, Mass.
- ISBN 10: 0262611724
- ISBN 13: 9780262611725
- Edition statement: Reprint
- Illustrations note: 1 colour and 4 b&w illustrations
- Sales rank: 141,929
This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it--to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.
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Douglas KAHN is founding Director of Technocultural Studies at University of California at Davis. He is the author of Noise, Water, Meat: A History of Sound in the Arts (MIT Press, 1999).
"Kahn's research is impressive, and his presentation is thorough and precise." - Carol J. Binkowski, Library Journal; "...a unique and important contribution to this emerging, exciting field. It is overflowing with ideas, references, and conjecture." - John Levack Drever, The Art Book