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    The New (ethno)musicologies (Europes: Ethnomusicologies and Modernities) (Paperback) Edited by Henry Stobart, Contributions by John Baily, Contributions by Michelle Bigenho, Contributions by Caroline Bithell, Contributions by Philip V. Bohlman, Contributions by Martin Clayton, Contributions by Nicholas Cook, Contributions by Fabian Holt, Contributions by Laudan Nooshin, Contributions by Tina K. Ramnarine

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    DescriptionOver the past twenty years, a range of radical developments has revolutionized musicology, leading certain practitioners to describe their discipline as 'New.' What has happened to ethnomusicology during this period? Have its theories, methodologies, and values remain rooted in the 1970s and 1980s or have they also transformed? What directions might or should it take in the new millennium? The New (Ethno)musicologies seeks to answer these questions by addressing and critically examining key issues in contemporary ethnomusicology. Set in two parts, the volume explores ethnomusicology's shifting relationship to other disciplines and to its own 'mythic' histories and plots a range of potential developments for its future. It attempts to address how ethnomusicology might be viewed by those working both inside and outside the discipline and what its broader contribution and relevance might be within and beyond the academy. Henry Stobart has collected essays from key figures in ethnomusicology and musicology, including Caroline Bithell, Martin Clayton, Fabian Holt, Jim Samson, and Abigail Wood, as well as Europea series editors, Martin Stokes and Philip V. Bohlman. The engaging result presents a range of perspectives, reflecting on disciplinary change, methodological developments, and the broader sphere of music scholarship in a fresh and unique way, and will be a key source for students and scholars.


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    Title
    The New (ethno)musicologies
    Authors and contributors
    Edited by Henry Stobart, Contributions by John Baily, Contributions by Michelle Bigenho, Contributions by Caroline Bithell, Contributions by Philip V. Bohlman, Contributions by Martin Clayton, Contributions by Nicholas Cook, Contributions by Fabian Holt, Contributions by Laudan Nooshin, Contributions by Tina K. Ramnarine
    Physical properties
    Format: Paperback
    Number of pages: 234
    Width: 152 mm
    Height: 226 mm
    Thickness: 18 mm
    Weight: 181 g
    Language
    English
    ISBN
    ISBN 13: 9780810861015
    ISBN 10: 0810861011
    Classifications

    Nielsen BookScan Product Class 3: T1.7
    BIC E4L: MUS
    B&T Book Type: NF
    Ingram Subject Code: MU
    B&T Merchandise Category: TXT
    B&T Modifier: Region of Publication: 01
    BIC subject category V2: AVA
    B&T Modifier: Academic Level: 01
    B&T General Subject: 540
    B&T Modifier: Subject Development: 94
    Warengruppen-Systematik des deutschen Buchhandels: 25920
    B&T Modifier: Continuations: 04
    LC subject heading:
    B&T Approval Code: A08780000
    DC22: 780.89
    LC subject heading:
    BISAC V2.8: MUS015000
    LC classification: ML3799 .N39 2008
    Thema V1.0: AVA
    Illustrations note
    black & white illustrations
    Publisher
    Scarecrow Press
    Imprint name
    Scarecrow Press
    Publication date
    21 March 2008
    Publication City/Country
    Lanham, MD
    Author Information
    Henry Stobart is Senior Lecturer in the Music Department of Royal Holloway, University of London. He is the author of Music and the Poetics of Production in the Bolivian Andes (2006) and is co-editor of Knowledge and Learning in the Andes (2002) and Sound (2000).
    Review quote
    The book includes something for everybody. CHOICE, November 2008 This volume brings to the fore pivotal issues that problematize the contemporary disciplinary identity of ethnomusicology...It provides rich insights into ethnomusicological discourses and raises many unanswered questions that stimulate a re-thinking about the contemporary identity of ethnomusicology. In short, this volume will not only be an invaluable addition to university programs in ethnomusicology, but it will also be of significant interest to the wider academic community in ethnomusicology. Ethnomusicology A lively and engaging read. MUSICultures