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    The Mosquito Coast (Paperback) By (author) Paul Theroux

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    Description"The Mosquito Coast" - winner of the James Tait Black Memorial Prize - is a breathtaking novel about fanaticism and a futile search for utopia from bestseller Paul Theroux. Allie Fox is going to re-create the world. Abominating the cops, crooks, junkies and scavengers of modern America, he abandons civilisation and takes the family to live in the Honduran jungle. There his tortured, messianic genius keeps them alive, his hoarse tirades harrying them through a diseased and dirty Eden towards unimaginable darkness. "Stunning...exciting, intelligent, meticulously realised, artful". (Victoria Glendinning, "Sunday Times"). "An epic of paranoid obsession that swirls the reader headlong to deposit him on a black mudbank of horror". (Christopher Wordsworth, "Guardian"). "Magnificently stimulating and exciting". (Anthony Burgess). American travel writer Paul Theroux is known for the rich descriptions of people and places that is often streaked with his distinctive sense of irony; his novels and collected short stories, "My Other Life", "The Collected Stories", "My Secret History", "The Lower River", "The Stranger at the Palazzo d'Oro", "A Dead Hand", "Millroy the Magician", "The Elephanta Suite", "Saint Jack", "The Consul's File", "The Family Arsenal", and his works of non-fiction, including the iconic "The Great Railway Bazaar" are available from Penguin.


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  • Full bibliographic data for The Mosquito Coast

    Title
    The Mosquito Coast
    Authors and contributors
    By (author) Paul Theroux
    Physical properties
    Format: Paperback
    Number of pages: 384
    Width: 128 mm
    Height: 196 mm
    Thickness: 28 mm
    Weight: 281 g
    Language
    English
    ISBN
    ISBN 13: 9780140060898
    ISBN 10: 0140060898
    Classifications

    BIC E4L: GEN
    Nielsen BookScan Product Class 3: F1.1
    B&T Merchandise Category: GEN
    LC subject heading:
    DC21: 823.914
    BIC subject category V2: FA
    B&T General Subject: 360
    B&T Book Type: FI
    B&T Modifier: Subject Development: 78
    B&T Modifier: Region of Publication: 01
    LC subject heading:
    B&T Modifier: Academic Level: 01
    Libri: B-232
    Warengruppen-Systematik des deutschen Buchhandels: 11000
    DC22: 813/.54
    LC subject heading: , ,
    LC classification: PS3570.H4M
    BISAC V2.8: FIC000000
    B&T Approval Code: P26108401
    LC subject heading: ,
    LC classification: PS3570.H4 M6 1982C
    Thema V1.0: FBA
    Publisher
    Penguin Books Ltd
    Imprint name
    Penguin Books Ltd
    Publication date
    01 April 1996
    Publication City/Country
    London
    Author Information
    Paul Theroux was born in Medford, Massachusetts, in 1941, and published his first novel, Waldo, in 1967. His subsequent novels include Picture Palace, winner of the Whitbread Prize for Fiction, The Mosquito Coast, and the hugely acclaimed, Kowloon Tong. His travel books include The Great Railway Bazaar and The Pillars of Hercules.
    Review text
    The narrator of this spirited, excessive, half-successful adventure/parable is 13-year-old Charlie Fox. But the main character is Charlie's father Allie - and a character he is, in the grand (somewhat empty) tradition of eccentric, vocal, never-say die, anti-everything genius/jerks. Inventor and handyman, atheistic Bible scholar and all-around know-it-all, Allie has moved his wife and four kids (Charlie's the oldest) to a farm near Northampton, Mass. But now even that rural, individualistic, home-schooling existence has gotten too polluted with plastic America. (The funny opening chapters feature Allie's public outbursts against cheeseburgers and cheap imports.) So, convinced of approaching apocalypse and inspired by the Central American "savages" who are the farm's cheap labor, Allie impulsively decides to quit America entirely and take up residence in the jungles of Honduras: the Fox clan, following Allie with blind faith and leaving everything behind, is soon on a banana-boat out of Baltimore, heading south. All this, of course, is the stuff of boys'-book adventure or Swiss Family Robinson; and the gut excitement of traveling-light-to-nowhere (also recalling Theroux's train-trip books) propels the novel's first half along fiercely - even though the expedition is grim at nearly every turn, even though Allie's super-feats along the way (putting the ship on even keel, doing 75 pushups, showing up a missionary) aren't convincing enough to balance his obvious nuttiness. The first stop is a dreary coastal town full of dead dogs and vultures. Then it's on, perilously, by boat to an inland "town" that Allie has bought: Jeronimo - just some "sour-smelling bushes in a overgrown clearing," with a few Zambus and Creoles for neighbors. Yet Allie's dreams for Jeronimo soon come true: an efficient, clean settlement - "We had defeated the mosquitoes, tamed the river, drained the swamp" - with Allie's great invention (an ammonia-powered icehouse) as its miracle-centerpiece. Can this Utopia last? Of course not. Allie's paranoia and megalomania become increasingly obvious - on a trek to bring ice to the Indians (cf. Theroux's short-story, "The Imperial Icehouse"), in his murder of some creepy strangers. . . who die in the exploding icehouse as ammonia pollutes the whole area. So from then on it's sheer nightmare - on the run, on the river, in mud and flood - while the children grow to hate Allie and even plot to kill him. Allie will die, in fact, but from both bullets and vultures - man and nature. And it's one of the many overdrawn effects in a novel that regularly sacrifices plausibility and pacing for the bold outlining or heavy reiteration of themes: the doomed dreams of Yankee ingenuity and individualism, the inevitable intertwining of progress and danger. Still, though the presentation of the serious ideas here is more noisy and colorful than thoughtful, the storytelling itself - full of clever descriptive writing and inventive action - sustains the entertainment mightily until the thin characterizations (with their predictable transformations) run dry. And Theroux has never before so cannily combined the evocative power of his non-fiction with the zest (the comedy especially) of his best fiction. (Kirkus Reviews)