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    Moon Palace (Paperback) By (author) Paul Auster

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    DescriptionA contemporary novel which tells the story of Marco Stanley Fogg - orphan, child of the 1960s - spanning three generations. The narrative moves from the early years of this century to the first lunar landings, from Manhattan to the landscape of the American West.


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  • Full bibliographic data for Moon Palace

    Title
    Moon Palace
    Authors and contributors
    By (author) Paul Auster
    Physical properties
    Format: Paperback
    Number of pages: 320
    Width: 126 mm
    Height: 192 mm
    Thickness: 22 mm
    Weight: 222 g
    Language
    English
    ISBN
    ISBN 13: 9780571142200
    ISBN 10: 0571142206
    Classifications

    BIC E4L: GEN
    Nielsen BookScan Product Class 3: F1.1
    DC21: 813.54
    BIC subject category V2: FA
    LC classification: PS
    Libri: ENGM1010
    Warengruppen-Systematik des deutschen Buchhandels: 21110
    Libri: AMER3710
    BISAC V2.8: FIC019000
    Thema V1.0: FBA
    Edition statement
    New ed.
    Publisher
    FABER & FABER
    Imprint name
    FABER & FABER
    Publication date
    01 February 2004
    Publication City/Country
    London
    Author Information
    Paul Auster is the best-selling author of Winter Journal, Sunset Park, Man in the Dark, The Brooklyn Follies, The Book of Illusions, The New York Trilogy, among many other works. In 2006 he was awarded the Prince of Asturias Prize for Literature and inducted into the American Academy of Arts and Letters. Among his other honours are the Independent Spirit Award for the screenplay of Smoke and the Prix Medicis Etranger for Leviathan. He has also been short-listed for both the International IMPAC Dublin Literary Award (The Book of Illusions) and the PEN/Faulkner Award for Fiction (The Music of Chance). His work has been translated into more than thirty languages. He lives in Brooklyn, New York.
    Review text
    Like the best 18th-century fiction, this witty and wildly inventive novel revels in its implausibilities, and it does so with an attention to character and cosmos worthy of Swift, Fielding, or Sterne. Auster (The New York Trilogy, In the Country of Last Things) here fashions three personal histories that span the 20th-century and range across the American landscape, from the chaotic city to the desolate frontier. Marco Stanley Fogg, illegitimate and orphaned at 11, seems a victim of fate and a child of his time. At Columbia University during the 60's, Marco, always an oddball and outsider while growing up with his bachelor uncle in Chicago, begins his descent into nothingness, hoping to create from his screwy life a work of art. At best, he becomes a minimalist artifact, as he abandons his few friends and possessions, and makes a job of daily survival. Soon after graduation, this restless explorer of the self takes to the streets, sleeping in Central Park, eating from trash bins, and discovering the meaning of utter loneliness. Eventually saved from self-destruction, Marco finds love with the enigmatic Kitty Wu - a beautiful "orphan in the storm" herself- and a job with Thomas Effing - a dying octogenarian who chooses Marco as his biographer. This cantankerous codger turns out to be "a kindred spirit," a former painter who took advantage of a disastrous trip out West in 1916, and created a new identity after he was presumed dead. With his actual death planned for the near future, Effing wants the son he never met to know the truth. After Effing's death, Solomon, the abandoned son, spins his tragic tale to Marco as well. An indiscretion with a 19-year-old student back in the 50's led this "scholarly curmudgeon" on a path to academic obscurity and personal dejection. The stories of Marco, Effing, and Solomon, each told in their time and sharing a similar design, suggest not only a synchronicity of life cycles, but also prove to have a more intimate connection - a connection discovered too late to save Marco from yet another encounter with absolute loneliness. Coming so soon after a string of masterly little novels, Auster's latest attests to the expansiveness of his vision and the deepening of his voice. (Kirkus Reviews)