Mixing Secrets for the Small StudioPaperback Focal Press
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- Publisher: Focal Press
- Format: Paperback | 352 pages
- Dimensions: 191mm x 234mm x 28mm | 680g
- Publication date: 4 June 2011
- Publication City/Country: Oxford
- ISBN 10: 0240815807
- ISBN 13: 9780240815800
- Sales rank: 15,205
Discover how to achieve release-quality mixes even in the smallest studios by applying power-user techniques from the world's most successful producers. Mixing Secrets For The Small Studio is a down-to-earth primer for small-studio enthusiasts who want chart-ready sonics in a hurry. Drawing on the back-room strategies of more than 100 famous names, this entertaining guide leads you step-by-step through the entire mixing process. On the way, you'll unravel the mysteries of every type of mix processing, from simple EQ and compression through to advanced spectral dynamics and 'fairy dust' effects. User-friendly explanations introduce technical concepts on a strictly need-to-know basis, while chapter summaries and assignments are perfect for school and college use. * Learn the subtle editing, arrangement, and monitoring tactics which give industry insiders their competitive edge, and master the psychological tricks which protect you from all the biggest rookie mistakes. * Find out where you don't need to spend money, as well as how to make a limited budget really count. * Pick up tricks and tips from leading-edge engineers working on today's multi-platinum hits, including Michael Brauer, Serban Ghenea, the Lord-Alge brothers, Tony Maserati, Manny Marroquin, Dave 'Hard Drive' Pensado, Jack Joseph Puig, Mark 'Spike' Stent, Phil Tan, Andy Wallace, and many, many more...Mike Senior is a professional engineer who has worked with Wet Wet Wet, The Charlatans, Reef, Therapy, and Nigel Kennedy. He specialises in adapting the techniques of top producers for those working on a budget. Since 2007 he has transformed dozens of amateur productions for Sound On Sound magazine's popular 'Mix Rescue' column, proving time and again that you can achieve commercial-grade results with affordable gear -- once you know how!
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Mike Senior is a professional engineer who has worked with Wet Wet Wet, The Charlatans, Reef, Therapy, and Nigel Kennedy. He specialises in adapting the techniques of top producers for those working on a budget. Since 2007 he has transformed dozens of amateur productions for Sound On Sound magazine's popular 'Mix Rescue' column, proving time and again that you can achieve commercial-grade results with affordable gear -- once you know how!
By walt 25 May 2012
The title of this review says it all. This is one of the best, most enjoyable and concise instructional books I've ever read about any subject. To be honest, mixing is a pretty dry subject. This book actually makes it fun! But more importantly, it covers very minute and important details regarding frequencies, compression, reverberation, parallel compression....etc..etc in a very easy to understand AND in depth manner. I'll be honest, I hated mixing and really didnt have a natural aptitude for it. After reading this book, I look foreward to it and have a lot more confidence in my ability to tackle a lot of problems and issues that would have completely stumped me before. Buy this book, it is, in every sense of the expression, a no brainier if you want to learn more about mixing your own recordings.
By Damien Kelly 15 Apr 2011
Having read most of Mike Seniors Mix Rescue articles in Sound on Sound magazine, I kind of knew what to expect with this book - it is absolutely packed with top tips for audio probelm solving, getting the most from your environment and equipment and general advice on various areas that all small studio owners will be familiar with. Its extremely well written, very approachable and Mike has a way of putting across his point that has you thinking " oh yeah, i never thought of that..."
I would approach this book almost as a course - you need to read a bit and then put it into practice to get the most out of it. The online resources are excellent, giving you audio examples and files to use on your own DAW.
I think that this book, along with Bob Katz Mastering Audio and David Miles Huber Modern Recording Techniques, is going to become a go-to book for students, semi-pros and pros in the future.
An excellent book!
In the good old days, new engineers learned to mix by interning or assisting; that's less and less the case these days. Think of this book as a textbook alternative to a year of assisting. If you've been figuring out everything yourself or piecing together your workflow based on internet forum posts, this book may bump your work forward by months or years. -Scott Evans, Tape Op Magazine The advice and guidance contained are relevant to everyone involved in music engineering and production, at all levels and regardless of the size of the studio or its facilities. Novices and grandmasters alike will find plenty of interest here. The emphasis is very much on mastering the correct approaches and techniques, rather than how to use any specific equipment or software, and everything is described in such as way as to make it easily transferable across any DAW platform or even to a traditional console-based mix environment. The book is structured in a progressive fashion, following a logical mixing workflow, and developing and building on ideas and techniques throughout. The book is very readable, in Mike's familiar, approachable and often humorous style, and with plenty of illustrations, all of which maintain the interest from cover to cover. The text also expands on Mike's own wealth of experience and knowledge with numerous relevant quotes and opinions from over 100 of the world's best-known engineers and producers. Many books have been published about mixing, but in all honesty I'd say Mixing Secrets is easily the most practical, complete and ultimately satisfying that I've read so far. It is eminently readable (even if the spellings have been 'Americanised'!), with the emphasis always on helping the reader to understand when and why to use a particular technique, before explaining how in great practical detail. Although the content is wonderfully disciplined and technically rigorous, the explanations are never intimidating to a beginner, yet remain stimulating to the more experienced reader. The icing on the cake, and liberally covered in cherries, is the dedicated web site, which provides a phenomenal resource of useful material and information. This is a definite must-read for everyone involved in music production at any level - and at a bargain price. --Sound on Sound magazine The most useful, up-to-date and comprehensive book I've read on the labyrinthine subject of mixing music. Author Mike Senior is well equipped with his experience as engineer, producer and journalist for Sound-on-Sound magazine to guide any reader, with an intermediate to advanced understanding of the studio recording and mixing process, through four main sections. Many good examples of current and popular CDs are given through this book to 'reference' each step in the mixing process. Mixing Secrets for the Small Studio is a 'must have' for me that I wil re-read from time to time and I cannot recommend it more. --Music Connection magazine Mike shares many of his own mixing tips, supplemented by tips and advice from some of the industry's top engineers that range from Chris and Tom Lord Alge to Andy Wallace. At more than 300 pages, it's quite a read, but a highly recommended one. In fact the book is filled with so much great stuff, it's a book that one can read again and again and that can be used as a handy manual during any mixing project. And though there's plenty of information to soak up, Mike has made it very easy to navigate your way through the book and to find the relevant information you need quickly and easily. --GuitarWorld.com Mixing Secrets by Mike Senior is a great book for studio production, no doubt about it. It's also a great book for extracting concepts that can be used for live audio production. And for the church audio sound tech who might get an email next week saying "we need you to record and produce our first praise music CD," well, you aren't going to find a better book on perfecting a mix. It starts as a book but you will use it as a resource. That's a win-win in my book. --BehindTheMixer.com I FOUND AN EXCELLENT "MUST HAVE" for anyone pursuing music recording and mixing as a career and life-long hobby...[Senior's] book does not disappoint. He's a great writer and I thoroughly recommend it for newbies and oldbies! --Mavens of Media
Table of contents
Introduction Part 1: Hearing & Listening Chapter 1: Using Nearfield Monitors Chapter 2: Supplementary Monitoring Chapter 3: Low-End Damage Limitation Chapter 4: From Subjective Impressions To Objective Results Part 2: Mix Preparation Chapter 5: Essential Groundwork Chapter 6: Timing & Tuning Adjustments Chapter 7: Comping & Arrangement Part 3: Balance Chapter 8: Building The Raw Balance Chapter 9: Compressing For A Reason Chapter 10: Beyond Compression Chapter 11: Equalizing For A Reason Chapter 12: Beyond EQ Chapter 13: Frequency-Selective Dynamics Chapter 14: The Power Of Side Chains Chapter 15: Towards Fluent Balancing Part 4: Sweetening To Taste Chapter 16: Mixing With Reverb Chapter 17: Mixing With Delays Chapter 18: Stereo Enhancements Chapter 19: Buss Compression, Automation & Endgame Conclusion Appendix 1: Who's Who: Selected Discography Appendix 2: Quote References Appendix 3: Picture Credits