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    Mimesis: The Representation of Reality in Western Literature (Princeton Classics) (Paperback) By (author) Erich Auerbach, By (author) Edward W. Said, Translated by Willard R. Trask

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    DescriptionMore than half a century after its translation into English, Erich Auerbach's Mimesis remains a masterpiece of literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics. A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote Mimesis, publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive - and impassioned - response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, Mimesis is among the finest works of literary criticism ever written. This Princeton Classics edition includes a substantial introduction by Edward Said as well as an essay in which Auerbach responds to his critics.


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  • Full bibliographic data for Mimesis

    Title
    Mimesis
    Subtitle
    The Representation of Reality in Western Literature
    Authors and contributors
    By (author) Erich Auerbach, By (author) Edward W. Said, Translated by Willard R. Trask
    Physical properties
    Format: Paperback
    Number of pages: 616
    Width: 140 mm
    Height: 216 mm
    Thickness: 48 mm
    Weight: 567 g
    Language
    English
    ISBN
    ISBN 13: 9780691160221
    ISBN 10: 0691160228
    Classifications

    Warengruppen-Systematik des deutschen Buchhandels: 15710
    Nielsen BookScan Product Class 3: T3.7
    B&T Book Type: NF
    BIC E4L: LIT
    LC subject heading:
    B&T Modifier: Region of Publication: 01
    BIC subject category V2: DSB
    LC classification: PN
    Ingram Subject Code: LC
    B&T Modifier: Academic Level: 02
    B&T General Subject: 495
    Abridged Dewey: 809
    B&T Merchandise Category: UP
    LC subject heading: ,
    DC22: 809.912
    DC23: 809.912
    BISAC V2.8: LIT020000
    Thema V1.0: DSB
    Edition statement
    New Expanded Edition
    Publisher
    Princeton University Press
    Imprint name
    Princeton University Press
    Publication date
    01 April 2014
    Publication City/Country
    New Jersey
    Author Information
    Erich Auerbach, before his death in 1957, was Sterling Professor of Romance Languages at Yale University.
    Review quote
    "The compass and the richness of the book can hardly be exaggerated. This is true too of the originality of Mr. Auerbach's critical method which is at once encyclopedic and microscopic, combining the disciplines of philology, literary criticism, and history."--New York Times "One of the great works of literary scholarship... Auerbach's method ... is to fasten with fastidious sensitivity on some stray phrase or passage in order to unpack from it a wealth of historical insight. It is his combination of scholarly erudition and critical astuteness which is most remarkable."--Terry Eagleton, London Review of Books "One of the most important and readable books in literary criticism of the past 15 years ... The author, beginning with Homer and the Bible, traces the imitation of life in literature through the ages ...touching upon every major literary figure in western culture on the way."--Publishers Weekly "Written with the authority that comes from deep learning and full of information worth knowing. Princeton's 50th anniversary edition of Mimesis has an introduction by the late literary and cultural critic Edward Said that by itself is worth the price of the book. It's the only preface I know of that I wish were longer, serving as both an analysis of Auerbach and a ramework placing him in his scholarly and historical context... Princeton's reissue of Mimesis is both timely and symbolic."--Guy Davenport, Los Angeles Times Book Review "[Mimesis] offers not just an eminent reading of the Western canon, but a mighty lesson on how to write... I don't think a more significant or useful book of criticism has been written in the half-century since Mimesis was published. What's more, I can't imagine that anything like it will ever be written again... [In] producing such a rich, strong book on how to read, Auerbach composed a virtual manual on how to write, one I've referred back to again and again since the day, almost two decades ago, when I first happened upon it."--Jim Lewis, Slate Magazine "[T]he greatest single work of literary criticism of the 20th century... [S]o suggestive, so rich in understanding and insight, so useful in teaching one how to reach more deeply and appreciatively is the book that it is difficult to believe that anyone will ever again have the intellectual resources to write another book about literature anywhere near as powerful. Written while the Nazis were marching across Europe, Mimesis is a strong reminder of the glory of Western literature, and by extension of Western civilization, and of what is at stake in the battle against those who would simplify, politicize, or otherwise degrade it."--Joseph Epstein, Weekly Standard
    Back cover copy
    "To describe "Mimesis" as a classic is to offer something of a dismissive understatement, which conveys nothing of the excitement of this book, as fresh and direct, as untechnical, as when it first appeared. To say that it constitutes virtually a history of Western literature is to omit adding that it writes that history in a way that is still new and stimulating, with nothing of the manual about it, a synchronic kind of history with which we are only just now catching up. It is also important to stress the novel relationship Auerbach establishes between sentence or syntax and narrative form; and the world-wide democratic perspective in which he framed his work which has only become visible since globalization. "Mimesis" is certainly one of the half dozen most important literary-critical works of the twentieth century."--Fredric R. Jameson"Written in exile, from what Auerbach called with grave irony his 'incomparable historical vantage point, ' "Mimesis" is a magnificent achievement. For me, as for many others, this hugely ambitious, wise account of the representation of reality in Western literature, at once a celebration and a lament, is one of the essential works of literary criticism."--Stephen Greenblatt"Every student of literature should know "Mimesis," arguably the single greatest work of 20th-century criticism. How do writers--from Homer and Dante to Stendhal and Virginia Woolf--depict the world? To explore this question, Erich Auerbach brings to bear the authority of truly encyclopedic learning and the persuasiveness of a supple, humane literary intelligence. Yes, "Mimesis" is magisterial, but it is also thrilling to read, inspiring, and more relevant than ever: A masterpiece."--Michael Dirda
    Table of contents
    Introduction to the Fiftieth-Anniversary Edition ix 1. Odysseus' Scar 3 2. Fortunata 24 3. The Arrest of Peter Valvomeres 50 4. Sicharius and Chramnesindus 77 5. Roland Against Ganelon 96 6. The Knight Sets Forth 123 7. Adam and Eve 143 8. Farinata and Cavalcante 174 9. Frate Alberto 203 10. Madame Du Chastel 232 11. The World in Pantagruel's Mouth 262 12. L'Humaine Condition 285 13. The Weary Prince 312 14. The Enchanted Dulcinea 334 15. The Faux Devot 359 16. The Interrupted Supper 395 17. Miller the Musician 434 18. In the Hotel de la Mole 454 19. Germinie Lacerteux 493 20. The Brown Stocking 525 Epilogue 554 Appendix 559 Index 575