Midnight's Children

Midnight's Children

Hardback

By (author) Salman Rushdie, Introduction by Anita Desai

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  • Publisher: EVERYMAN'S LIBRARY
  • Format: Hardback | 589 pages
  • Dimensions: 134mm x 208mm x 34mm | 662g
  • Publication date: 21 September 1995
  • Publication City/Country: London
  • ISBN 10: 1857152174
  • ISBN 13: 9781857152173
  • Sales rank: 88,859

Product description

A history of India since independence seen through the eyes of characters born on that independence was granted. Often hailed as a classic of magic realism, this is a many-layered and entralling narrative in which the complexities of the sub-continent are projected through the minds of its many characters, comic, tragic and fantastic by turns, this is the novel which revolutionized English literature in one fell swoop. MIDNIGHT'S CHILDREN was voted in the Booker of Bookers in 1993.

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Author information

Sir Salman Rushdie is the author of many novels including Grimus, Midnight's Children, Shame, The Satanic Verses, The Moor's Last Sigh, The Ground Beneath Her Feet, Fury and Shalimar the Clown. He has also published works of non-fiction including The Jaguar Smile, Imaginary Homelands, The Wizard of Oz and, as co-editor, The Vintage Book of Short Stories. He has received many awards for his writing, including the European Union's Aristeion Prize for Literature. He is a fellow of the Royal Society of Literature and Commandeur des Arts et des Lettres. In 1993 Midnight's Children was judged to be the 'Booker of Bookers', the best novel to have won the Booker Prize in its first 25 years. In June 2007 he received a knighthood in the Queen's Birthday Honours.

Review quote

" Extraordinary . . . one of the most important [novels] to come out of the English-speaking world in this generation." - The New York Review of Books " The literary map of India is about to be redrawn. . . . Midnight's Children sounds like a continent finding its voice." - The New York Times " In Salman Rushdie, India has produced a glittering novelist- one with startling imaginative and intellectual resources, a master of perpetual storytelling." - The New Yorker " A marvelous epic . . . Rushdie's prose snaps into playback and flash-forward . . . stopping on images, vistas, and characters of unforgettable presence. Their range is as rich as India herself." - Newsweek " Burgeons with life, with exuberance and fantasy . . . Rushdie is a writer of courage, impressive strength, and sheer stylistic brilliance." - The Washington Post Book World " Pure story- an ebullient, wildly clowning, satirical, descriptively witty charge of energy." - Chicago Sun-Times

Editorial reviews

When Indian novelist Rushdie arrived with Grimus in 1979 we called him "an imagination to watch." And he'll be watched indeed once this bravura fiction starts circulating - a picaresque entertainment that's clearly inspired by close readings of the modern South American fabulists and, above all, Sterne's Tristram Shandy. Rushdie's own Tristram is named Saleem Sinai - and he is born at the stroke of midnight, August 15, 1947, making him exactly contemporary with the life of India-as-a-nation. In fact, Saleem and 580 other "midnight children" born at that moment grow up to find themselves equipped with powers of telepathic communication, foresight, and heightened individual sensoria: Saleem's particular gift is a "cucumber" of a nose with which he goes through life literally smelling change. The Sinai family, originally Kashmiri Moslems, migrate to Bombay, living in ex-colonial digs. And a switch at birth with a neighbor's baby seeds narrative trouble that flowers at different times later on in the book: opera buffa complications all the way. Saleem seems to be in the middle of all cataclysmic Indian events, too. He's present during language riots and a dinner-party coup in Pakistan (where his mother fled after a marital spat involving the revealed baby-switch). Because of his olfactory talent, he becomes a "man-dog" tracker for a Pakistani military unit during the debacle in Bangladesh. And, back in Bombay, Saleem is clapped into jail with the other "midnight children" by "the Widow" - Indira Gandhi - during the dictatorial Emergency. Rushdie swoops, all colors unfurled, all stops out, through and around his synchronic fable with great gusto and sentimental fizz. And though such a rodomontade would be shameless if made out of more familiar material, the sub-continental excessiveness (and the fascinating history lesson which is incidentally built in) keeps us loading and firing right along. Tour de force, in other words - and so, of course, a little exhausting; but, unlike other fantastical picaresques, this one is truly worth the effort. A big striped balloon of a book, often dizzying with talent. (Kirkus Reviews)