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    Meetings (Hardback) By (author) Paul Shambroom

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    DescriptionAn essay in the representation of politics, these large-format panoramic photographs of town council meetings across the United States are the result of four years of traveling by artist-photographer Paul Shambroom. Photographing civic meetings as staged tableaux, his pictures resemble epic history paintings, describing the humble practice of local government and the character of small town America on a grand scale. The images are accompanied by the minutes of each meeting--40,000 words reproduced on bible paper at the back of the book.


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  • Full bibliographic data for Meetings

    Title
    Meetings
    Authors and contributors
    By (author) Paul Shambroom
    Physical properties
    Format: Hardback
    Number of pages: 128
    Width: 240 mm
    Height: 305 mm
    Thickness: 14 mm
    Weight: 920 g
    Language
    English
    ISBN
    ISBN 13: 9780954281380
    ISBN 10: 0954281381
    Classifications

    BIC geographical qualifier V2: 1KBB
    B&T Merchandise Category: GEN
    B&T Book Type: NF
    BIC E4L: PHO
    Nielsen BookScan Product Class 3: T1.4
    BIC subject category V2: AJC
    B&T Modifier: Region of Publication: 03
    B&T Modifier: Academic Level: 01
    BISAC V2.8: PHO011000
    Warengruppen-Systematik des deutschen Buchhandels: 15870
    B&T Modifier: Geographic Designator: 01
    BISAC V2.8: ART000000
    B&T General Subject: 625
    Ingram Subject Code: AP
    Libri: I-AP
    BIC subject category V2: JPR
    BISAC V2.8: PHO000000, EDU020000
    DC22: 779.93208540973
    LC classification: HM133 .S43 2004
    DC22: 779.93208540
    Thema V1.0: AJC, JPR
    Illustrations note
    40 colour illustrations
    Publisher
    CHRIS BOOT
    Imprint name
    CHRIS BOOT
    Publication date
    30 June 2009
    Publication City/Country
    London
    Review quote
    '...Shambroom gives us a glimpse of the largely unseen machinery that quietly but persistently determines the way we live. ... In Shambroom's pictures, the simple, actual event is revealed as a marvellous and beautiful enactment of the highest democratic ideals of equality, dialogue and representation. They are pictures not just of rituals, but of the real-life practice of self and community empowerment.' Diane Mullin in ArtReview (October 2003)