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    King of the World (Paperback) By (author) David Remnick

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    DescriptionThis unforgettable account of Muhammad Ali's rise and self-creation, told by a Pullitzer Prize-winning writer, places Ali in a heritage of great American originals. David Remnick concentrates on Ali's early career, when he was still fighting as Cassius Clay. The book begins in September 1962 with the fight between Floyd Patteson and Sonny Liston, providing a remarkable sociological backdrop to Ali's entrance on the boxing scene. Remnick then describes Clay's 1964 fight with Liston, which even his own people thought Clay couldn't win, and takes us through to 1967 when Ali refused the military draft to Vietnam. This is much more than a sports book. It is a study of the rise of the black voice in the American consciousness and a look at how the media creates its heroes - Cassius Clay began as a 'light-hitting loudmouth' before becoming gradually canonized by the American press and public as Muhammad Ali. KING OF THE WORLD takes us back to the days when his life was a series of battles, inside the ring and out. A master storyteller at the height of his powers, David Remnick has written a book worthy of America's most dynamic moden hero.


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  • Full bibliographic data for King of the World

    Title
    King of the World
    Authors and contributors
    By (author) David Remnick
    Physical properties
    Format: Paperback
    Number of pages: 300
    Width: 130 mm
    Height: 192 mm
    Thickness: 24 mm
    Weight: 281 g
    Language
    English
    ISBN
    ISBN 13: 9780330371896
    ISBN 10: 0330371894
    Classifications

    Warengruppen-Systematik des deutschen Buchhandels: 21600
    Nielsen BookScan Product Class 3: T4.4
    BIC subject category V2: BGS
    BIC E4L: SPO
    LC subject heading: ,
    DC21: 796.83092
    BIC subject category V2: WSTB
    LC subject heading:
    Libri: B-092
    BISAC V2.8: BIO016000, BIO002000, SPO008000, BIO006000
    LC subject heading:
    Thema V1.0: JBSL, DNBH, DNBS, SRB
    Edition
    New edition
    Edition statement
    New edition
    Illustrations note
    photographs
    Publisher
    Pan MacMillan
    Imprint name
    PICADOR
    Publication date
    10 December 1999
    Publication City/Country
    London
    Review text
    A literate, intelligent evocation of the great heavyweight champion. Remnick (Resurrection, 1997, etc.), the Pulitzer Prize winner who is now editor of the New Yorker, opens - wisely - with the September 1962 fight between Floyd Patterson and Sonny Liston. His profiles of both men are remarkable studies of the sociological backdrop for Ali's entrance upon the scene. Patterson was cast as the good, bumble Negro aligned with God; Liston, an ex-con who worked as an enforcer for the mob, as the big, bad, scary black. The brash, poetry-spouting Cassius Clay (as he was still known) fit neither stereotype. Despite his 1960 Olympic gold medal, his obvious speed, and his boxing skills, sportswriters hated the impudent young fighter. He was "considered. . . little more than a light-hitting loudmouth." Clay was no one's pick to steal the title from the overpowering Liston. Remick does a fantastic job of setting the stage for that February 1964 fight, noting that even Clay's people had their doubts: One insider merely hoped "that Clay wouldn't get hurt." The jabbering, taunting Clay pummeled the plodding, dispirited Liston, who simply quit after the sixth round. It was shortly after the fight that Ali's association with the Nation of Islam was revealed. His friendship with Malcolm X and his espousal of the Black Muslim creed, along with his promotional rantings of "I am the greatest!," did not endear him to the public. But he kept winning, beating Liston yet again in 1965 in the most controversial hit in heavyweight history. Remnick's reenactment of that one-punch, "phantom punch" knockout in the first round is brilliant. Remnick tails off with Ali's 1967 refusal of the military draft and his subsequent suspension, not going into quite enough depth to explain Ali's virtual canonization by the American press and public. But no matter: This is a great look at "a warrior who came to symbolize love." (Kirkus Reviews)