- Publisher: Sage Publications Ltd
- Format: Paperback | 200 pages
- Dimensions: 170mm x 240mm x 12mm | 340g
- Publication date: 19 November 2012
- Publication City/Country: London
- ISBN 10: 1446202895
- ISBN 13: 9781446202890
- Edition statement: New.
- Sales rank: 201,999
Creativity is an attribute of individual people, but also a feature of organizations like firms, cultural institutions and social networks. In the knowledge economy of today, creativity is of increasing value, for developing, emergent and advanced countries, and for competing cities. This book is the first to present an organized study of the key concepts that underlie and motivate the field of creative industries. Written by a world-leading team of experts, it presents readers with compact accounts of the history of terms, the debates and tensions associated with their usage, and examples of how they apply to the creative industries around the world. Crisp and relevant, this is an invaluable text for students of the creative industries across a range of disciplines, especially media, communication, economics, sociology, creative and performing arts and regional studies.
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Terry Flew is Professor of Media and Communications in the Creative Industries Faculty at the Queensland University of Technology, Brisbane, Australia. He has been seconded from QUT to act as a Commissioner of the Australian Law Reform Commission from May 2011 to February 2012, chairing the Inquiry into the National Classification Scheme in Australia.
This is an authoritative overview of a rapidly developing area of study and research. The book offers much to both those familiar with work on the creative industries and those for whom the concept is an entirely new object of study John Storey Professor of Cultural Studies, University of Sunderland There could be no better guides to the conceptual map of the creative industries than John Hartley and his colleagues, pioneers in the field. This book is a clear, comprehensive and accessible tool-kit of ideas, concepts, questions and discussions which will be invaluable to students and practitioners alike. Key Concepts in Creative Industries is set to become the corner stone of an expanding and exciting field of study Chris Barker Associate Professor of Media and Cultural Studies, University of Wollongong, Australia
Table of contents
Introduction The Concepts: Aesthetics, Art Agent/Agency Attention Audience Cluster Co-Creation (User-Created Content; User-Generated Content) Competition Complex Systems Consumer Convergence Creative Arts Creative Cities Creative Class Creative Destruction Creative Economy Creative Industries Creative Labour Creativity Cultural Policy Culture (History of Concept) Culture Industry/Cultural Industries Design Digital Literacy Entertainment Entrepreneur/ship Evolution Expert Globalization Information Economy Innovation Institution Intellectual Property Internationalization (of Creative Industries) Knowledge (Growth of) Markets Media Networks Power Productivity Public Culture Representation Technology References Index