The Irresponsible Self: On Laughter and the Novel

The Irresponsible Self: On Laughter and the Novel

Paperback

By (author) James Wood

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Paperback $15.65
  • Publisher: PIMLICO
  • Format: Paperback | 320 pages
  • Dimensions: 136mm x 216mm x 19mm | 267g
  • Publication date: 1 September 2005
  • Publication City/Country: London
  • ISBN 10: 1844130975
  • ISBN 13: 9781844130979
  • Sales rank: 234,913

Product description

When James Wood's first collection of essays, The Broken Estate, was published in 1999, the reviewers hailed a master critic. The common thread in Wood's latest collection of essays is what makes us laugh - and the book is an attempt to distinguish between the perhaps rather limited English comedy (as seen in Waugh, for example) and a 'continental' tragic-comedy, which he sees as real, universal and quixotic. A particularly acerbic, and very funny, essay - which has been widely celebrated - deals with Zadie Smith, Rushdie, Pynchon and DeLillo; its title, 'Hysterical Realism', has already entered the phrasebook of literary language. With its brilliant studies of Shakespeare, Dickens and Dostoevsky, Naipaul, Pritchett and Bellow, The Irresponsible Self offers more exhilarating despatches from one of our finest living critics.

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Author information

JAMES WOOD is a staff writer at The New Yorker and a visiting lecturer at Harvard. In addition to How Fiction Works, he is the author of two essay collections, The Broken Estate and Fun Stuff and Other Essays, and a novel, The Book Against God.

Review quote

"Wood is one of the finest critics at work today, heir to Coleridge, Hazlitt and V. S. Pritchett...He combines the breadth and seriousness of Edmund Wilson with the pellucid prose style of Cyril Connolly...Wood pursues his craft with a high seriousness the like of which we had not thought to see again after the death of Lionel Trilling" -- John Banville Irish Times "Breathtakingly good... James Wood is pretty much as good a general critic of literary fiction as you'll find writing in English at the moment" The Times "A stylish writer as well as a clear-sighted reader. His prose bristles with the sort of epigrammatic brilliance that asks challenging questions even when providing answers" Spectator "The most urgent and morally demanding critic around is the brilliant James Wood... A second powerful collection" Guardian "This is a collection to be read by anyone who wouldn't normally dream of reading literary criticism" Financial Times