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    The Irresponsible Self: On Laughter and the Novel (Paperback) By (author) James Wood

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    DescriptionWhen James Wood's first collection of essays, The Broken Estate, was published in 1999, the reviewers hailed a master critic. The common thread in Wood's latest collection of essays is what makes us laugh - and the book is an attempt to distinguish between the perhaps rather limited English comedy (as seen in Waugh, for example) and a 'continental' tragic-comedy, which he sees as real, universal and quixotic. A particularly acerbic, and very funny, essay - which has been widely celebrated - deals with Zadie Smith, Rushdie, Pynchon and DeLillo; its title, 'Hysterical Realism', has already entered the phrasebook of literary language. With its brilliant studies of Shakespeare, Dickens and Dostoevsky, Naipaul, Pritchett and Bellow, The Irresponsible Self offers more exhilarating despatches from one of our finest living critics.


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  • Full bibliographic data for The Irresponsible Self

    Title
    The Irresponsible Self
    Subtitle
    On Laughter and the Novel
    Authors and contributors
    By (author) James Wood
    Physical properties
    Format: Paperback
    Number of pages: 320
    Width: 136 mm
    Height: 216 mm
    Thickness: 19 mm
    Weight: 267 g
    Language
    English
    ISBN
    ISBN 13: 9781844130979
    ISBN 10: 1844130975
    Classifications

    Nielsen BookScan Product Class 3: T3.4
    BIC E4L: LIT
    BIC subject category V2: DNF, DSB
    BISAC V2.8: LIT000000, LCO010000
    DC22: 809.3917
    Publisher
    VINTAGE
    Imprint name
    PIMLICO
    Publication date
    01 September 2005
    Publication City/Country
    London
    Author Information
    JAMES WOOD is a staff writer at The New Yorker and a visiting lecturer at Harvard. In addition to How Fiction Works, he is the author of two essay collections, The Broken Estate and Fun Stuff and Other Essays, and a novel, The Book Against God.
    Review quote
    "Wood is one of the finest critics at work today, heir to Coleridge, Hazlitt and V. S. Pritchett...He combines the breadth and seriousness of Edmund Wilson with the pellucid prose style of Cyril Connolly...Wood pursues his craft with a high seriousness the like of which we had not thought to see again after the death of Lionel Trilling" -- John Banville Irish Times "Breathtakingly good... James Wood is pretty much as good a general critic of literary fiction as you'll find writing in English at the moment" The Times "A stylish writer as well as a clear-sighted reader. His prose bristles with the sort of epigrammatic brilliance that asks challenging questions even when providing answers" Spectator "The most urgent and morally demanding critic around is the brilliant James Wood... A second powerful collection" Guardian "This is a collection to be read by anyone who wouldn't normally dream of reading literary criticism" Financial Times