The Invention of Jane Harrison

The Invention of Jane Harrison

By (author) Mary Beard

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Jane Ellen Harrison (1850-1928) is the most famous female classicist in history, the author of books that revolutionised our understanding of Greek culture and religion. A star in the British academic world, she became the quintessential Cambridge woman - as Virginia Woolf suggested when, in "A Room of One's Own", she claims to have glimpsed Harrison's ghost in the college gardens. This innovative portrayal of a fascinating woman raises the question of who wins (and how) in the competition for academic fame. Mary Beard captures Harrison's ability to create her own image. and she contrasts her story with that of Eugene Sellers Strong, a younger contemporary and onetime intimate, the author of major work on Roman art and once a glittering figure at the British School in Rome - but who lost the race for renown. The setting for the story of Harrison's career is classical scholarship in this period - its internal arguments and allegiances and especially the influence of the anthropological strain most strikingly exemplified by Sir James Frazer. Questioning the common criteria for identifying intellectual "influence" and "movements", Beard exposes the mythology that is embedded in the history of classics. At the same time she provides a vivid picture of a sparkling intellectual scene.

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  • Hardback | 256 pages
  • 147.8 x 216.7 x 22.1mm | 417.88g
  • 03 Jul 2000
  • HARVARD UNIVERSITY PRESS
  • Cambridge, Mass
  • English
  • 0674002121
  • 9780674002128

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This volume is a substantial contribution to our knowledge of the life of Jane Harrison. Intellectually it belongs not to biography proper but to the genre of "Rezeptionsgeschichte." Its author is constantly, and refreshingly, alive to the nature of evidence...Here, in "The invention of Jane Harrison", the author designs to explore "the myth(s) of Jane Harrison," to determine how these myths were "constructed and reconstructed," and the purposes of revelation, dissimulation and occlusion of these myths. The author is, almost always, refreshingly alive to problems of social-anachronism...Dr. Beard's is an interesting book, excellently researched and usually sane and sensible, and well worth reading.--P. G. Naiditch "The Classical Bulletin "

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Flap copy

JANE ELLEN HARRISON (1850-1928) is the most famous female Classicist in history, the author of books that revolutionized our understanding of Greek culture and religion. A star in the British academic world, she became the quintessential Cambridge woman -- as Virginia Woolf suggested when, in A Room of One's Own, she claims to have glimpsed Harrison's ghost in the college gardens.This lively and innovative portrayal of a fascinating woman raises the question of who wins (and how) in the competition for academic fame. Mary Beard captures Harrison's ability to create her own image. And she contrasts her story with that of Eugenie Sellers Strong, a younger contemporary and onetime intimate, the author of major work on Roman art and once a glittering figure at the British School in Rome -- but who lost the race for renown. The setting for the story of Harrison's career is Classical scholarship in this period -- its internal arguments and allegiances and especially the influence of the anthropological strain most strikingly exemplified by Sir James Frazer. Questioning the common criteria for identifying intellectual "influence" and "movements", Beard exposes the mythology that is embedded in the history of Classics. At the same time she provides a vivid picture of a sparkling intellectual scene. The Invention of Jane Harrison offers shrewd history and undiluted fun.

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