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    Images in Mind: Statues in Archaic and Classical Greek Literature and Thought (Paperback) By (author) Deborah Tarn Steiner

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    DescriptionIn archaic and classical Greece, statues played a constant role in people's religious, political, economic, aesthetic, and mental lives. Evidence of many kinds demonstrates that ancient Greeks thought about - and interacted with - statues in ways very different from our own. This book recovers ancient thinking about statues by approaching them through contemporary literary sources. It not only shows that ancient viewers conceived of images as more operative than aesthetic, but additionally reveals how poets and philosophers found in sculpture a practice 'good to think with.'Deborah Tarn Steiner considers how Greek authors used images to ponder the relation of a copy to an original and of external appearance to inner reality. For these writers, a sculpture could straddle life and death, encode desire, or occasion reflection on their own act of producing a text. Many of the same sources also reveal how thinking about statues was reflected in the objects' everyday treatment. Viewing representations of gods and heroes as vessels hosting a living force, worshippers ritually washed, clothed, and fed them in order to elicit the numinous presence within. By reading the plastic and verbal sources together, this book offers new insights into classical texts while illuminating the practices surrounding the design, manufacture, and deployment of ancient images. Its argument that images are properly objects of cultural and social - rather than purely aesthetic - study will attract art historians, cultural historians, and anthropologists, as well as classicists.

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  • Full bibliographic data for Images in Mind

    Images in Mind
    Statues in Archaic and Classical Greek Literature and Thought
    Authors and contributors
    By (author) Deborah Tarn Steiner
    Physical properties
    Format: Paperback
    Number of pages: 384
    Width: 150 mm
    Height: 234 mm
    Thickness: 26 mm
    Weight: 581 g
    ISBN 13: 9780691094885
    ISBN 10: 0691094888

    Nielsen BookScan Product Class 3: T1.1
    B&T Book Type: NF
    BIC subject category V2: AFKB
    BIC E4L: ART
    LC subject heading:
    BIC geographical qualifier V2: 1QDAG
    BIC subject category V2: DSBB
    BIC language qualifier (language as subject) V2: 2AHA
    Ingram Subject Code: LC
    Libri: I-LC
    B&T General Subject: 431
    Warengruppen-Systematik des deutschen Buchhandels: 25770
    LC subject heading:
    B&T Merchandise Category: UP
    BISAC V2.8: HIS002010, LIT004190
    BIC subject category V2: ACG
    BISAC V2.8: ART015060
    BIC subject category V2: 2AHA, 1QDAG
    LC subject heading:
    DC22: 880.9357
    DC21: 880.9357
    Thema V1.0: AGA, DSBB, AFKB
    Edition statement
    Princeton University Press
    Imprint name
    Princeton University Press
    Publication date
    01 December 2002
    Publication City/Country
    New Jersey
    Author Information
    Deborah Tarn Steiner is Associate Professor of Classics at Columbia University. She is the author of "The Crown of Song: Metaphor in Pindar", and "The Tyrant's Writ: Myths and Images of Writing in Ancient Greece" (Princeton).
    Review quote
    "[A] comprehensive, richly documented study... Steiner analyzes in detail the role of images in communicating love, desire, and longing... Informative and satisfying."--Choice "Stone carving is a reductive technique: the sculptor is always involved in the process of removing and discarding material from the original block to reveal the image within. Steiner has done exactly the opposite: she has provided much more material for our consideration than she promised at the beginning... Undoubtedly the strongest aspect of this book is the continuing discussion of mimesis and the often ambiguous relation of perceived form to reality, a thread that is interwoven throughout the work."--Paul Rehak, American Journal of Philology
    Back cover copy
    "This book will be widely read and used, and makes a genuine contribution to the field, in part at least because it puts together so much otherwise disparate material. The whole is written with great care at the level of the sentence; the style is pellucid, highly articulate, and careful, without either flashiness or plodding worthiness. As with "The Tyrant's Writ," the topic is very fashionable, and the book's themes will be of interest to a large group of scholars."--Simon Goldhill, Cambridge University"This book offers many new insights and observations. The broad issue at hand is one of crucial significance to both philologists and art historians alike, and there is nothing like this treatment presently in print. It is indisputably a significant contribution to the field. No one could come away from reading it without having a deepened appreciation for the complexity of the construction of meaning in both ancient art and literature."--Mark Fullerton, Ohio State University
    Table of contents
    List of Illustrations vii Preface xi Acknowledgments xv List of Abbreviations xvii CHAPTER ONE: Replacement and Replication 3 Replacing the Absent 5 Replication and Its Limits 19 Developments in Late Archaic and Classical Statuary 26 Works of Art in Fiftb-Century Texts 44 Late Classical Images and the Platonic Account 56 CHAPTER TWO: Inside and Out 79 Representing Divinity 80 Cult Activities 105 Vacant or Full? 120 CHAPTER THREE: The Quick and the Dead 135 Inanimate Images and the Dead 136 Divine Motion and Sight 156 CHAPTER FOUR: For Love of a Statue 185 Image Love in Literary Accounts 186 Real-World Viewing 207 CHAPTER FIVE: The Image in the Text 251 The Funerary Monument 252 Victory Statues 259 Honorific Statues and the Encomiastic Address 265 Imaging the Word 281 EPILOGUE: lucian's Retrospective 295 Illustrations 307 Bibliography 329 Index of Passages Cited 343 Subject Index 353