I, Lucifer

I, Lucifer

Paperback

By (author) Glen Duncan

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  • Publisher: SCRIBNER
  • Format: Paperback | 272 pages
  • Dimensions: 130mm x 194mm x 20mm | 200g
  • Publication date: 6 January 2003
  • Publication City/Country: London
  • ISBN 10: 0743220137
  • ISBN 13: 9780743220132
  • Edition: New edition
  • Edition statement: New edition
  • Sales rank: 19,477

Product description

A brilliantly written portrait of Lucifer encountering the world of the senses, telling his version of the Bible, and discovering what it's like to be human - in Clerkenwell. 'Now, Your million questions. All, in the end, resolvable into one: What's it like being me? What, for heaven's sake, is it like being me? In a nutshell (which, thanks to me, is the way you like it in these hurrying and fragmented times), it's hard.' Finally, the other side of the story. The Prince of Darkness has been given one last chance: he will be readmitted to the company of his fellow angels if he agrees to live out a human life. Highly sceptical (naturally), the Old Deal-maker negotiates a trial period - a summer holiday in a human body, with all the delights of the flesh. The body, though, turns out to be that of Declan Gunn, a depressed writer living in Clerkenwell, interrupted mid-suicide. Making the best of a bad situation, Luce himself takes to writing - to explain, to strip back the Biblical spin, to help us see the whole thing from his point of view. And to knock that Jesus off his perch. Beset by distractions, miscalculations and all the natural shocks that flesh is heir to, Lucifer slowly begins to learn what it's like to be us. Glen Duncan's brilliantly written new novel is an investigation of the world of the senses - the seductiveness of evil, and the affection which keeps us human.

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Author information

Glen Duncan's previous novels are Hope and Love Remains. Until recently, he lived in Clerkenwell.

Editorial reviews

The Devil is on vacation, sampling life in London and reflecting on some of his career highlights, in this grab bag from the British Duncan (first US publication). Lucifer addresses you directly in an intermittent monologue, and his voice will either pull you in or turn you off. It's flip and in-your-face as it mixes insults and endearments: somewhat like stand-up comedy. But there's also a smidgen of plot. Gabriel brings Lucifer an offer from God: the chance to redeem himself if he agrees to live as a human. There will be a one-month trial period. Lucifer accepts. He has no interest in redemption (are you kidding?), but a month in a human body will be a great vacation and a nice respite from the pain that racks him unceasingly. (Or so we are told in passing. For a real taste of Hell, read Stanley Elkin's marvelous The Living End.) As Lucifer enters the body of Declan Gunn (note the anagram), he experiences sensuous paradise. Now he can taste an ice cream, smell the roses (and the sewers), and scramble his brains with drugs and booze. This Gunn is a sad sack, a failed writer on the verge of suicide, an ugly little monkey to book, but Lucifer enjoys visiting his girlfriends. There's nothing devilish about these escapades. A visit to the office of Declan's agent, where he manhandles a rival, could be any young writer's fantasy; sessions with movie people are routine spoofs of Hollywood. Yet there are also those memories of career highlights (the original rebellion in heaven, the temptation in the Garden), as well as long, quite serious riffs on the Inquisition and the Third Reich, both splendid examples of the systematic evil Lucifer sees as a growth industry. Missing, though, is any internal dynamic to reconcile the snide and the solemn. Duncan has comic energy to spare but no clear idea of what to do with it. The result reads like a promising first draft. (Kirkus Reviews)