How Ancient Europeans Saw the World: Vision, Patterns, and the Shaping of the Mind in Prehistoric TimesHardback
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- Publisher: Princeton University Press
- Format: Hardback | 304 pages
- Dimensions: 156mm x 230mm x 28mm | 567g
- Publication date: 26 August 2012
- Publication City/Country: New Jersey
- ISBN 10: 0691143382
- ISBN 13: 9780691143385
- Edition statement: New.
- Illustrations note: 40 halftones. 6 line illus. 3 maps.
- Sales rank: 537,028
The people who inhabited Europe during the two millennia before the Roman conquests had established urban centers, large-scale production of goods such as pottery and iron tools, a money economy, and elaborate rituals and ceremonies. Yet as Peter Wells argues here, the visual world of these late prehistoric communities was profoundly different from those of ancient Rome's literate civilization and today's industrialized societies. Drawing on startling new research in neuroscience and cognitive psychology, Wells reconstructs how the people of pre-Roman Europe saw the world and their place in it. He sheds new light on how they communicated their thoughts, feelings, and visual perceptions through the everyday tools they shaped, the pottery and metal ornaments they decorated, and the arrangements of objects they made in their ritual places - and how these forms and patterns in turn shaped their experience. "How Ancient Europeans Saw the World" offers a completely new approach to the study of Bronze Age and Iron Age Europe, and represents a major challenge to existing views about prehistoric cultures. The book demonstrates why we cannot interpret the structures that Europe's pre-Roman inhabitants built in the landscape, the ways they arranged their settlements and burial sites, or the complex patterning of their art on the basis of what these things look like to us. Rather, we must view these objects and visual patterns as they were meant to be seen by the ancient people who fashioned them.
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Peter S. Wells is professor of anthropology at the University of Minnesota. His many books include "Barbarians to Angels: The Dark Ages Reconsidered" and "The Barbarians Speak: How the Conquered Peoples Shaped Roman Europe" (Princeton).
Honorable Mention for the 2012 PROSE Award in Archeology & Anthropology, Association of American Publishers "[B]eautifully crisp and elegant... [Wells's] book deserves to be widely read and admired."--Peter Thonemann, Times Literary Supplement "With painstaking detail, Wells documents how objects tell the early European story, making a compelling case that historians ought to rethink the standard views."--Tom Siegfried, Science News "Archaeologist Wells takes a novel approach to exploring the way Bronze and Iron Age societies in Europe (2000BCE to 1CE) viewed themselves. Through analysing their artifacts, pottery, fibulae, swords and scabbards, and coins, as well as the arrangements of their graves and their public places, the author plausibly suggests that their views changed through time."--Choice "It is evident that Wells is constantly conscious of the fact that he is writing for a modem 'literate' person to who words are more important than visuals. He has explained every single object, without going on jargons. An interesting history of Europe."--R. Balashankar, Organiser "How Ancient Europeans Saw the World offers a completely new approach to the study of Bronze Age and Iron Age Europe, and represents a major challenge to existing views about prehistoric cultures."--World Book Industry
"Peter Wells adopts an entirely new approach to the later centuries of European prehistory. He opens our eyes to the way in which Bronze Age and Iron Age people viewed their world, drawing on current work in material culture studies to present us with a dynamic picture of the visual life of late prehistory. This book will revolutionize the way we think about the Iron Age."--Anthony Harding, University of Exeter"We think it modern to be trapped in an impersonal world by the convenience of mass-produced commodities, yearning for the individual crafts and communities that graced an earlier, more human era. In his new book on the visual experiences and perceptions of pre-Roman societies in central and western Europe, Peter Wells teaches us that this dilemma is not uniquely modern; it has happened before. In fact before the Roman Empire expanded into northwestern Europe the people of regions far beyond the empire had surrendered an economy of individualizing crafts to mass production, preparing themselves materially for their eventual military conquest. "How Ancient Europeans Saw the World" is an intriguing book that attempts to revisualize swords and brooches, tombs and public spaces, borrowing cues from marketing research and art history to reconstruct how things appeared to the people who made and used them. It deserves a wide readership"--David W. Anthony, author of "The Horse, the Wheel, and Language: How Bronze-Age Riders from the Eurasian Steppes Shaped the Modern World""This is a remarkable piece of scholarship. Wells takes the discussion of prehistoric Europe's complex material culture back to first principles, along the way shedding much of the interpretive baggage of several previous generations of scholars. He also provides an example of how an archaeological topic can be approached with clarity and logic. This book will arouse controversy and debate."--Peter Bogucki, author of "The Origins of Human Society""This is a most important book. Wells argues that after 200 BC Eurasia moved generally toward the mass production and consumption of artifacts and that this changed people's relationships with the world, in turn altering the nature of experience. "How Ancient Europeans Saw the World" is thought-provoking and provocative."--Chris Gosden, author of "Prehistory: A Very Short Introduction"
Table of contents
List of Illustrations vii Preface xi Acknowledgments xvii Part I: Theory and Method Chapter 1: Of Monsters and Flowers 1 Chapter 2: Seeing and Shaping Objects 18 Chapter 3: The Visual Worlds of Early Europe 34 Chapter 4: Frame, Focus, Visualization 52 Part II: Material: Objects and Arrangements Chapter 5: Pottery: The Visual Ecology of the Everyday 72 Chapter 6: Attraction and Enchantment: Fibulae 99 Chapter 7: Status and Violence: Swords and Scabbards 112 Chapter 8: Arranging Spaces: Objects in Graves 131 Chapter 9: Performances: Objects and Bodies in Motion 155 Chapter 10: New Media in the Late Iron Age: Coins and Writing 176 Part III: Interpreting the Patterns Chapter 11: Changing Patterns in Objects and in Perception 188 Chapter 12: Contacts, Commerce, and the Dynamics of New Visual Patterns 200 Conclusion Chapter 13: The Visuality of Objects, Past and Present 222 Bibliographic Essay 231 References Cited 249 Index 281