The House of the Spirits

The House of the Spirits

Paperback

By (author) Isabel Allende, Translated by Magda Bogin

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  • Publisher: Black Swan
  • Format: Paperback | 496 pages
  • Dimensions: 126mm x 194mm x 28mm | 322g
  • Publication date: 3 February 1994
  • Publication City/Country: London
  • ISBN 10: 0552995886
  • ISBN 13: 9780552995887
  • Sales rank: 5,811

Product description

Spanning four generations, Isabel Allende's magnificent family saga is populated by a memorable, often eccentric cast of characters. Together, men and women, spirits, the forces of nature, and of history, converge in an unforgettable, wholly absorbing and brilliantly realised novel that is as richly entertaining as it is a masterpiece of modern literature.

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Author information

Isabel Allende was born in Lima, Peru. She has recently lived in Caracas, Venezuela, with her husband and two children. Her first two novels, The House of the Spirits and Of Love and Shadows are published by Black Swan. The House of the Spirits was made into a film starring Meryl Streep, Glenn Close, Jeremy Irons, Winona Ryder, Vanessa Redgrave, Antonio Banderas and Keanu Reeves.

Review quote

"'This is a novel like the novels no one seems to write anymore: thick with plot and bristling with characters who play out their lives over three generations of conflict and reconciliation. A novel to be read for its brilliant craftsmanship and its narrative of inescapable power'" El Pais, Madrid "'Intensely moving. Both entertaining and deeply serious'" Evening Standard "'Announcing a truly great read: a novel thick and thrilling, full of fantasy, terror and wit, elaborately crafted yet serious and accurate in its historical and social observations'" Die Welt, Berlin "'A remarkable achievement...a big book that can comprehend the history of a nation, and so many lives, with love'" The Times

Editorial reviews

A strong, absorbing Chilean family chronicle, plushly upholstered - with mystical undercurrents (psychic phenomena) and a measure of leftward political commitment. (The author is a cousin of ex-Pres. Salvador Allende, an ill-fated socialist.) The Truebas are estate-owners of independent wealth, of whom only one - the eventual patriarch, Esteban - fully plays his class role. Headstrong and conservative, Esteban is a piggish youth, mistreating his peons and casually raping his girl servants . . . until he falls under the spell of young Clara DelValle: mute for nine years after witnessing the gruesome autopsy of her equally delicate sister, Clara is capable of telekinesis and soothsaying; she's a pure creature of the upper realms who has somehow dropped into crude daily life. So, with opposites attracting, the marriage of Esteban and Clara is inevitable - as is the succession of Clara-influenced children and grandchildren. Daughter Blanca ignores Class barriers to fall in love with - and bear a child by - the foreman's son, who will later become a famous leftwing troubadour (on the model of Victor Jara). Twin boys Jaime and Nicholas head off in different directions - one growing up to become a committed physician, the other a mystic/entrepreneur. And Alba, the last clairvoyant female of the lineage, will end the novel in a concentration camp of the Pinochet regime. Allende handles the theosophical elements here matter-of-factly: the paranormal powers of the Trueba women have to be taken more or less on faith. (Veteran readers of Latin American fiction have come to expect mysticism as part of the territory.) And the political sweep sometimes seems excessively insistent or obtrusive: even old Esteban recants from his reactionary ways at the end, when they seem to destroy his family. ("Thus the months went by, and it became clear to everyone, even Senator Trueba, that the military had seized power to keep it for themselves and not hand the country over to the politicians of the right who made the coup possible.") But there's a comfortable, appealing professionalism to Allende's narration, slowly turning the years through the Truebas' passions and secrets and fidelities. She doesn't rush; the characters are clear and sharp; there's style here but nothing self-conscious or pretentious. So, even if this saga isn't really much deeper than the Belva Plain variety, it's uncommonly satisfying - with sturdy, old-fashioned storytelling and a fine array of exotic, historical shadings. (Kirkus Reviews)