A History of Experimental Film and Video

A History of Experimental Film and Video

Hardback

By (author) A.L. Rees

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  • Publisher: BFI PUBLISHING
  • Format: Hardback | 208 pages
  • Dimensions: 156mm x 236mm x 20mm | 558g
  • Publication date: 15 November 2011
  • Publication City/Country: London
  • ISBN 10: 1844574377
  • ISBN 13: 9781844574377
  • Edition: 2, Revised
  • Edition statement: 2nd Revised edition
  • Illustrations note: 60 black & white halftones, 35 colour illustrations
  • Sales rank: 1,846,876

Product description

Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cezanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.

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Author information

A.L. REES is a Research Tutor in Visual Communication, Royal College of Art, London.

Table of contents

Acknowledgements Introduction to the 2nd Edition Preface Introduction Sitting the Avant-Garde Vision Machine Time Base Point of View Modernisms PART I: THE CANONICAL AVANT-GARDE Origins of the Moving Image (1780-1880) Photography Art and the Avant-Garde: Summary 1909-20 The Cubists Primitives and Pioneers (1880-1915) Futurists Abstract Film The Comic Burlesque The Art Cinema and its Circuit Cine-Poems and Lyric Abstraction Origins of Abstract Film The Absolute Film Cubism and Poular Film Dada and Surrealist Film The French Avant-Garde 1924-32 Voice and Vision in the Pre-War Avant-Garde Transition: into the 1930s and Documentary Reviewing the First Avant-Garde Underground Two Avant-Gardes (Mark 1)? Structural PART II: BRITAIN, 1966-98 English Structuralists Primitives and Post-Structralists Video Stirs Art and Politics A cinema of Small Gestures Rebel Waves Art Cinema's Odd Couple: Derek Jarman and Peter Greenaway New Pluralism Black British Electronic Arts yBa "Where are we now?" Points of Resistance Conclusion: In the Gallery and on the Air The Migrating Frame from Film to Video Topologies The Origins of the Avant-garde and Current Practice Notes Bibliography Index