Herzog on Herzog

Herzog on Herzog

Paperback

By (author) Werner Herzog, Volume editor Paul Cronin

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  • Publisher: FABER & FABER
  • Format: Paperback | 352 pages
  • Dimensions: 135mm x 213mm x 23mm | 318g
  • Publication date: 9 July 2003
  • Publication City/Country: London
  • ISBN 10: 0571207081
  • ISBN 13: 9780571207084
  • Edition statement: 1994 and Revise.
  • Illustrations note: 60 b&w illustrations
  • Sales rank: 36,047

Product description

Most of what we've heard about Werner Herzog is untrue. The sheer number of false rumours and downright lies disseminated about the man and his films is truly astonishing. Yet Herzog's body of work is one of the most important in post-war European cinema. His international breakthrough came in 1973 with Aguirre, the Wrath of God, in which Klaus Kinski played a crazed Conquistador. For "The Enigma of Kaspar Hauser", Herzog cast in the lead a man who had spent most of his life institutionalised, and two years later hypnotised his entire cast to make Heart of Glass. He rushed to an explosive volcanic Caribbean island to film La Soufriere, paid homage to F. W. Murnau in a terrifying remake of Nosferatu and in 1982 dragged a boat over a mountain in the Amazon jungle for Fitzcarraldo. More recently Herzog has made extraordinary 'documentary' films such as "Little Dieter Needs to Fly". His place in cinema history is assured. Paul Cronin's volume consists of an invaluable set of career-length interviews with the German genius once hailed by Francois Truffaut as the most important film director alive. It provides a forum for Herzog's fascinating views on the things, ideas and people that have preoccupied him for so many years.

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Author information

Paul Cronin is a film-maker who has also edited Herzog on Herzog, as well as Alexander Mackendrick's On Film-making.

Review quote

The German director responsible for such astounding epics as Aguirre, the Wrath of God and Fitzcarraldo, and famous for his torrid collaboration with Klaus Kinski, discusses his extraordinary career in both fiction and documentary.