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    Here, There and Everywhere: My Life Recording the Music of the Beatles (Paperback) By (author) Geoff Emerick, Foreword by Elvis Costello

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    DescriptionA fascinating memoir featuring never-before-told stories from Beatles recording engineer Geoff Emerick—the industry legend who made music history by crafting the groundbreaking sound of the groupÂ's most famous records, including Revolver, Sgt. Pepper, and Abbey Road Geoff Emerick was only fifteen years old when he began working with the Beatles as assistant engineer for their early classics “I Want to Hold Your Hand” and “She Loves You.” Incredibly, at the age of nineteen, he was promoted to full engineer, taking the helm for the groupÂ's groundbreaking album Revolver. Ten months later, he joined forces with the Beatles for the recording of Sgt. PepperÂ's Lonely Hearts Club Band, hailed by Rolling Stone as the greatest album ever made. In their constant quest for experimentation and new sounds—and despite the technical limitations of the pre-digital age—Emerick developed a slew of innovative recording techniques, many of which are still in use today. In Here, There and Everywhere, Emerick tells his story for the first time, taking the reader through the hallowed (though somewhat dingy) corridors of Abbey Road Studios to give rare insights into the BeatlesÂ' unique creative processes and personalities and provide a behind-the- scenes look at how the greatest band of all time made their greatest records. As Emerick describes the BeatlesÂ' transformation from wide-eyed Liverpool teenagers into tour-savvy professionals, he provides a startling picture of the Fab Four. Fascinating and moving, Here, There and Everywhere illuminates the creative tensions within the band that fueled their early success, but would ultimately lead them to record in separate studios while the partnership was disintegrating. “We all owe some debt to Geoff EmerickÂ's self-effacing work as an engineer and producer . . . there is very little that any group of scruffy musicians can throw at him that he cannot put into some kind of good sonic order. I feel fortunate to have worked with him.” —Elvis Costello


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  • Full bibliographic data for Here, There and Everywhere

    Title
    Here, There and Everywhere
    Subtitle
    My Life Recording the Music of the Beatles
    Authors and contributors
    By (author) Geoff Emerick, Foreword by Elvis Costello
    Physical properties
    Format: Paperback
    Number of pages: 400
    Width: 152 mm
    Height: 228 mm
    Thickness: 32 mm
    Weight: 599 g
    Language
    English
    ISBN
    ISBN 13: 9781592401796
    ISBN 10: 1592401791
    Classifications

    BIC E4L: MUS
    Nielsen BookScan Product Class 3: T4.1
    BIC subject category V2: BGF
    BISAC V2.8: MUS035000
    BIC subject category V2: AVGP
    DC22: 782.42166092
    BISAC V2.8: MUS020000, BIO004000, BIO003000
    Edition
    1
    Publisher
    GOTHAM BOOKS
    Imprint name
    GOTHAM BOOKS
    Publication date
    16 March 2006
    Publication City/Country
    New York
    Review text
    The Fab Four's sound engineer, present from their first single to their final album, tells all about sharing studio time with the biggest rock band in history. Raised in North London, Emerick became enamored with recorded music as a tot, and with recording it as a teen. A combination of luck and persistence led to his first job, at age 16, at EMI Studios (later renamed Abbey Road), where he spent the next few decades. Within a month, he witnessed the first recording session of a quartet of scruffy Liverpudlians; just three years later, he was thrown into the fire as their sound engineer, working under the legendary "Fifth Beatle," producer George Martin. Decades of all-night recording sessions, simultaneously invigorating and frustrating, followed, and album upon album of innovative, groundbreaking pop classics were recorded, peaking with the universally adored Sergeant Pepper's Lonely Hearts Club Band and falling to a painful nadir with the spotty Abbey Road. The author writes little of his personal life outside the studio, as he seemed to live and breathe his work. In the end, the reader knows the Beatles about as well as Emerick did-that is, not all that well, as he repeatedly admits. Admirably evenhanded, Emerick makes no secret of his affinity for Paul, whom he characterizes as polite and good-natured, but remains diplomatic when discussing each Beatle (and even Yoko). This British politeness at times works against the book, which can be dry. Overall, however, Emerick provides an informative introduction to the creative process of the 20th century's most influential rock musicians. Extremely technical and sure to alienate non-geeks, but nonetheless an illuminating chronicle. (Kirkus Reviews)