Gravity's Rainbow
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Gravity's Rainbow

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Description

"The greatest, wildest author of his generation". ("Guardian"). We could tell you the year is 1944, that the main character is called Tyrone Slothrop and that he has a problem because bombs are falling across Europe and crashing to earth at the exact locations of his sexual conquests. But that doesn't really begin to cover it. Reading this book is like falling down a rabbit hole into an outlandish, sinister, mysterious, absurd, compulsive netherworld. As the "Financial Times" said, 'you must forget earlier notions about life and letters and even the Novel.' Forty years since publication, "Gravity's Rainbow" has lost none of its power to enthral.show more

Product details

  • Paperback | 912 pages
  • 129 x 198 x 40mm | 617g
  • Vintage Publishing
  • Vintage Classics
  • London, United Kingdom
  • English
  • 0099511754
  • 9780099511755
  • 4,666

Review quote

"The best seller described as the kind of Ulysses which Joyce might have written if he had been a Boeing engineer with a fetish for quadrille paper" Irish Examiner "Pynchon's masterpiece." -- John Sutherland Guardian "I read this at 19 or so and just thought, like, f*ck, wow: this is the marker, the pace-setter for the contemporary novel" -- Tom McCarthy, author of 'C' "Thomas Pynchon, the greatest, wildest and most infuriating author of his generation." -- Ian Rankin Guardian "Pynchon is both the US's most serious and most funny writer." -- Thomas Leveritt Independentshow more

About Thomas Pynchon

Thomas Pynchon was born in Long Island, USA in 1937. He took a scholarship at Cornell University and studied Engineering before switching to study English. He has served in the United States Navy and worked as a technical writer at Boeing. Thomas Pynchon is the author of V., The Crying of Lot 49, Gravity's Rainbow, Slow Learner, a collection of short stories, Vineland, Mason & Dixon. Against the Day, and most recently Inherent Vice. He received the national book award for Gravity's Rainbow in 1974.show more

Review Text

He is almost a mathematician of prose, who calculates the least and the greatest stress each word and line, each pun and ambiguity, can bear, and applies his knowledge accordingly and virtually without lapses, though he takes many scary, bracing linguistic risks. Thus his remarkably supple diction can first treat of a painful and delicate love scene and then roar, without pause, into the sounds and echoes of a drudged and drunken orgy.show more