- Publisher: WEIDENFELD & NICOLSON
- Format: Hardback | 416 pages
- Dimensions: 159mm x 242mm x 36mm | 656g
- Publication date: 24 May 2012
- Publication City/Country: London
- ISBN 10: 0297859382
- ISBN 13: 9780297859383
- Edition statement: Hardback
- Sales rank: 2,909
'What are you thinking, Amy? The question I've asked most often during our marriage, if not out loud, if not to the person who could answer. I suppose these questions stormcloud over every marriage: What are you thinking? How are you feeling? Who are you? What have we done to each other? What will we do?' Just how well can you ever know the person you love? This is the question that Nick Dunne must ask himself on the morning of his fifth wedding anniversary, when his wife Amy suddenly disappears. The police immediately suspect Nick. Amy's friends reveal that she was afraid of him, that she kept secrets from him. He swears it isn't true. A police examination of his computer shows strange searches. He says they aren't his. And then there are the persistent calls on his mobile phone. So what did really did happen to Nick's beautiful wife? And what was left in that half-wrapped box left so casually on their marital bed? In this novel, marriage truly is the art of war...
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Gillian Flynn's first novel SHARP OBJECTS was the winner of two CWA DAGGERS, and was shortlisted for the GOLD DAGGER, and also for an EDGAR. She lives in Chicago with her husband.
By Reeka 15 Nov 2012
I wish there was a way for me to reach inside myself and paste onto this post the actual emotions I felt while reading this book. There is no doubt in my mind that this is one of the most thrilling books I have read all year. This review will be solely my feelings on this book, to write any type of synopsis-based review will have me spoiling the whole thing, guaranteed.
I first heard about Gillian Flynn through ChapterStackss on Youtube (check her out here), and was instantly intrigued by her admiration for the author and her work-I had to pick one of her books up. I had decided to read them in chronological order, but ended up getting my hands on Gone Girl first.
Not that I'm doubting the greatness of her other works, I'm just ridiculously happy that I decided to read something by her, period. This book was outstanding, and written with tremendous thought and detail. I was in pieces with awe after each new development unfolded. This book had me speaking out loud the entire time-I kept saying "HA! How is she going to explain THAT one!"..and then she did, perfectly. I'll admit it: I tried, and failed miserably, to find holes in the plot, I really did-but Ms.Flynn had her detail down to an art, an absolute art.
And those characters..my goodness. They were the type of characters that you just knew you should despise, loathe, want to condemn. But she knew it, Gillian knew we would do no such thing. The cleverness and the wit of them. The naivety and pathetic charm. I was instantly hooked, and I didn't want it to end.
The conclusion of this book was the real mind blaster. I felt like I was reading the last few chapters while submerged underwater. I didn't want to believe what was happening, but it was happening, and I could either accept it for what it was, or give this book a horrible rating for it. I chose the former, for the simple reason that it was genius. Pure, horrible, insane, wonderful, intellectual, psychological..genius. I sat there, and once again spoke out loud to myself. This time with.."What..did I just read?..
I don't know if I can pick up Gillian's other 2 books fast enough. But I must, and I will. Bravo..just..BRAVO Gillian Flynn.
By Nicola Mansfield 14 Jul 2012
Reason for Reading: I loved Flynn's Dark Places and was excited to read another book by her.
I was excited to read this as I had enjoyed Dark Places very much and have seen the reviews for this popping up all over the place; while not reading them, I was taking note of the 4 & 5 star ratings. I have to say I was a bit let down from my expectations. As I started reading Part One, I just really didn't find myself all that intrigued as I couldn't ge over how the events mimicked the Scott Peterson case item by item so of course I knew that meant the husband wasn't the killer because what kind of book would that be? So no suspense as everything was expected as it unraveled in Part One and I had thought of a few ideas as to what may be going on and was not shocked at the twist that came with Part Two. Basically, the whole plot of the thriller didn't *thrill* me. Now, I won't say I didn't enjoy it as I did once Part Two was under way, but I was underwhelmed.
Secondly, the two main characters, both the husband and the wife, I found completely repulsive. I didn't like either of them as people and was unsatisfied with the ending. I connected with the sister, Go, but it just isn't that compelling to read a crime story about people you don't care for. So overall, while the plot had twists and kept me reading to find out how it all turned out in the end, I found this book to just be ok.
By Shelley Cusbert 05 Jun 2012
I have no idea how to review this book without inadvertently revealing something that will spoil it for a reader, so it may be the shortest review I have written in a while.
After a slightly slow start I was gripped by this chilling, tangled tale of love, hate and revenge. The plot is complex yet startlingly simple on reflection. The twists are incredible, lulled into believing one thing, I actually drew in a breath of shock each time Flynn flipped the direction of the story on its head. Flynn plays brilliantly on our own prejudices about class, marriage, money, domestic violence and infidelity and delves deeply into the psyche of two ordinary yet shocking personalities.
Just as I thought I had a handle on the characters of Amy and Nick, I would be side swiped by a revelation I hadn't considered. What you think you know about these people, their marriage, their life can never be relied on. Guilt and blame is assigned and then shifted and it isn't until the end you have any idea where you stand, and even then...
Brilliant and disturbing in equal measure Gone Girl is an engrossing read, don't be fooled by the brevity of this review - I just don't want to spoil anything for you! Gone Girl won't be for everyone, but I found it simply astonishing.
Flynn, an extraordinarily good writer, plays her readers with the finesse and delicacy of an expert angler. She wields her unreliable narrators to stunning effect, baffling, disturbing and delighting in turn, practically guaranteeing an immediate reread once her terrifying, wonderful conclusion is reached... an early contender for thriller of the year, and an absolute must-read. -- Alison Flood THE OBSERVER 20120520 These voices are wonderfully authentic, to the point where the reader becomes a gawker at the full-spectrum of marital dysfunction. Excellent. -- John O'Connor THE GUARDIAN 20120512 Gone Girl is superbly constructed, ingeniously paced and absolutely terrifying... a Five-star suspense mystery. -- An Wilson READERS' DIGEST 20120501 in this riveting noirish thriller and intense dissection of a marriage, nothing is as it seems. WOMAN AND HOME 20120503 Flynn keeps the accelerator firmly to the floor, ratcheting up the tension with wildly unexpected plot twists, contradictory stories and the tantalising feeling that nothing is as it seems. Deviously good. MARIE CLAIRE 20120503 Read it and stay single. FINANCIAL TIMES 20120505 funny, cunning thriller... the tale takes some stomach-churning turns, right to its chilling conclusion PSYCHOLOGIES 20120501 A chilling, stylish read about another unknowable woman ELLE 20120502 Flynn has created a gripping tale and a page-turner. LITERARY REVIEW 20120501 Immensely dark and deeply intelligent, Gone Girl is a book about how well one person can truly know another METRO 20120523 Flynn is a brilliantly accomplished psychological crime writer and this latest book is so dark, so twisted and so utterly compelling that it actually messes with your mind -- Carla McKay DAILY MAIL 20120525 You think you're reading a good, conventional thriller and then it grows into a fascinating portrait of one averagely mismatched relationship...Nothing's as it seems - Flynn is a fabulous plotter, and a very sharp observer of modern life in the aftermath of the credit crunch -- Kate Saunders THE TIMES 20120526 Flynn's portrait of a woman trying to please an impossible husband is subtly drawn, but there are hints that all is not as it seems. One version of events huges another in a novel that cleverly manipulates the reader -- Joan Smith SUNDAY TIMES 20120527 definitely a contender for thriller of the year... Flynn is, without a doubt, at the front of the pack of American thriller writers. -- Doug Johnstone THE INDEPENDENT ON SUNDAY 20120603 In what is so much more than a straightforward crime novel (with a mid-story twist so shocking you'll drop the book), Flynn unpicks the minutiae of the couple's personalities and relationship EASY LIVING 20120601 A chilling tale of a hip, New York couple's failing marriage: smart, suspenseful and brilliantly written, Gone Girl is a class act THE INDEPENDENT 20120609 a terrifically intelligent thriller with a gasp-inducing twist GOOD HOUSEKEEPING 20120601 she skillfully manages to sustain tension and uncertainty to the end, as well as presenting a beautiful portrait of marriage disintegration -- Marcel Berlins THE TIMES 20120609 This is Flynn's third novel and she's more than found her voice, creating taut, thrilling, deeply intense narratives about characters very much on the edge -- Henry Sutton DAILY MIRROR 20120608 a near-masterpiece. Flynn is an extraordinary writer who, with every sentence, makes words do things that other writers merely dream of` -- Sophie Hannah SUNDAY EXPRESS 20120617 Ms Flynn's latest novel of psychological suspense will confound anyone trying to keep up with her quicksilver mind and diabolical rules of play INTERNATIONAL HERALD TRIBUNE 20120616 Just about everyone I meet, and everyone on Twitter, is telling me it's brilliant, so I can't wait to see what the fuss is all about. -- S.J. Watson SUNDAY EXPRESS 20120708 Gripping thriller: Nick's wife, Amy, is missing and he's a suspect. The story is told by Nick, then Amy, but who's telling the truth? ESSENTIALS 20120801 A brilliant switchback ride, you'll beg others to read it so you can discuss it with them -- John Williams IRISH MAIL ON SUNDAY 20120715
Back cover copy
Praise for Sharp Objects and Dark Places 'Compulsively good. I would rather read her than just about any other crime writer' Kate Atkinson 'With her blistering debut Sharp Objects, Gillian Flynn hit the ground running. Dark Places demonstrates that was no fluke' Val McDermid 'Gillian Flynn is the real deal, a sharp, acerbic, and compelling storyteller with a knack for the macabre' Stephen King 'Grips you from the first page' Karin Slaughter 'A stylish, and compelling debut. A real winner' Harlan Coben 'Stunningly accomplished' Sunday Times
'What are you thinking, Amy? The question I've asked most often during our marriage, if not out loud, if not to the person who could answer. I suppose these questions stormcloud over every marriage: What are you thinking? How are you feeling? Who are you? What have we done to each other? What will we do?' Just how well can you ever know the person you love? This is the question that Nick Dunne must ask himself on the morning of his fifth wedding anniversary, when his wife Amy suddenly disappears. The police immediately suspect Nick. Amy's friends reveal that she was afraid of him, that she kept secrets from him. He swears it isn't true. A police examination of his computer shows strange searches. He says they aren't his. And then there are the persistent calls on his mobile phone. So what did really did happen to Nick's beautiful wife? And what was left in that half-wrapped box left so casually on their marital bed? In this novel, marriage truly is the art of war....