- Publisher: MacLehose Press
- Format: Hardback | 572 pages
- Dimensions: 158mm x 234mm x 48mm | 939g
- Publication date: 10 January 2008
- Publication City/Country: London
- ISBN 10: 1847242537
- ISBN 13: 9781847242532
- Sales rank: 42,928
Forty years ago, Harriet Vanger disappeared off the secluded island owned and inhabited by the powerful Vanger family. There was no corpse, no witnesses, no evidence. But her uncle, Henrik, is convinced that she was murdered by someone in her own family - the deeply dysfunctional Vanger clan. Disgraced journalist Mikael Blomqvist is hired to investigate, but when he links Harriet's disappearance to a string of gruesome murders from forty years ago, he needs a competent assistant - and he gets one: computer hacker Lisbeth Salander - a tattoed, truculent, angry girl who rides a motorbike like a Hell's Angel and handles makeshift weapons with the skill born of remorseless rage. This unlikely pair form a fragile bond as they delve into the sinister past of this island-bound, tightly-knit family. But the Vangers are a secretive lot, and Mikael and Lisbeth are about to find out just how far they're prepared to go to protect themselves - and each other.
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Stieg Larsson was a financial journalist. He finished the three novels that are the "Millennium Trilogy" and then telephoned a publisher before delivering all three typescripts. He died very soon after the publication of the first one in Sweden.
By Alison Brown 27 Jan 2010
After all the hype about this book, I just had to read it and once I started, I just couldn't put it down.
Larsson has created an interesting mix of characters including the angry, tattooed hacker Lisbeth Salander and disgraced, philandering journalist Mickael Blomqvist.
When aging billionaire Henrik Vangar hires Blomqvist to investigate the disappearance of his niece some 40 years ago, Blomqvist and his new assistant Salander recover more skeletons than Vangar could have ever expected.....
'Stieg Larsson is the best Swedish crime writer of the decade' Kristianstadbladet. 'A violently entertaining trilogy ... may it never end' Arbetarbladet. 'A huge, 500-plus-page opus, a multilayered, multi-character tale by a writer of some considerable power. Full of social conscience and compassion, with great insight into the nature of moral corruption, The Girl With the Dragon Tattoo just knocked me out. During the time I had my nose stuck in its pages, I was thoroughly consumed by the work, and in those periods when I had to put the book down, I found myself grumpy and anxious to return to Larsson's narrative ... when I finally put the book down, I was still unable to sleep, my head filled with the high-definition world that this author has crafted ... already I'm thinking this could be remembered as the best crime novel of 2008 ... This book shows how exhilarating crime fiction can be' Ali Karim, The Rap Sheet website. 'A publishing sensation, an accomplished crime writer who seemingly came from nowhere ... a memorable debut and deserves most of the hype with which it is being published in this country ... Crime fiction has seldom needed to salute and mourn such a stellar talent as Larsson's in the same breath' Sunday Times. 'The ballyhoo is fully justified ... At over 500 pages this hardly sagged ... The novel scores on every front - character, story, atmosphere' The Times. 'What a cracking novel! I haven't read such a stunning thriller debut for years. The way Larsson interweaves his two stories had me in thrall from beginning to end. Brilliantly written and totally gripping' Minette Walters.
First U.S. publication for a deceased Swedish author (1954 - 2004); this first of his three novels, a bestseller in Europe, is a labored mystery.It's late 2002. Mikael Blomkvist, reputable Stockholm financial journalist, has just lost a libel case brought by a notoriously devious tycoon. He's looking at a short jail term and the ruin of his magazine, which he owns with his best friend and occasional lover, Erika Berger. The case has brought him to the attention of Henrik Vanger, octogenarian, retired industrialist and head of the vast Vanger clan. Henrik has had a report on him prepared by Lisbeth Salander, the eponymous Girl, a freaky private investigator. The 24-year-old Lisbeth is a brilliant sleuth, and no wonder: She's the best computer hacker in Sweden. Henrik hires Mikael to solve an old mystery, the disappearance of his great-niece Harriet, in 1966. Henrik is sure she was murdered; every year the putative killer tauntingly sends him a pressed flower on his birthday (Harriet's custom). He is equally sure one of the Vangers is the murderer. They're a nasty bunch, Nazis and ne'er-do-wells. There are three story lines here: The future of the magazine, Lisbeth's travails (she has a sexually abusive guardian) and, most important, the Harriet mystery. This means an inordinately long setup. Only at the halfway point is there a small tug of excitement as Mikael breaks the case and enlists Lisbeth's help. The horrors are legion: Rape, incest, torture and serial killings continuing into the present. Mikael is confronted by an excruciating journalistic dilemma, resolved far too swiftly as we return to the magazine and the effort to get the evil tycoon, a major miscalculation on Larsson's part. The tycoon's empire has nothing to do with the theme of violence against women which has linked Lisbeth's story to the Vanger case, and the last 50 pages are inevitably anticlimactic.Juicy melodrama obscured by the intricacies of problem-solving. (Kirkus Reviews)