The Future of the Image

The Future of the Image


By (author) Jacques Ranciere

List price $17.15
You save $2.50 14% off

Free delivery worldwide
Dispatched in 1 business day
When will my order arrive?

  • Publisher: Verso Books
  • Format: Paperback | 160 pages
  • Dimensions: 124mm x 190mm x 16mm | 181g
  • Publication date: 2 February 2009
  • Publication City/Country: London
  • ISBN 10: 1844672972
  • ISBN 13: 9781844672974
  • Edition statement: Reprint
  • Sales rank: 40,186

Product description

In "The Future of the Image", Jacques Ranciere develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. Covering a range of art movements, and thinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard and Greenberg, Ranciere argues that contemporary theorists of the image are suffering from religious tendencies. He suggests that there is a stark political choice in art: it can either reinforce a radical democracy, or create a new reactionary mysticism. For Ranciere there is never a pure art: the aesthetic revolution will always embrace egalitarian ideals.

Other people who viewed this bought:

Showing items 1 to 10 of 10

Other books in this category

Showing items 1 to 11 of 11

Author information

JACQUES RANCIERE is Emeritus Professor of Philosophy at the University of Paris-VIII, France. His books include Hatred of Democracy and On the Shores of Politics (both from Verso), The Politics of Aesthetics, Short Voyages to the Land of the People and The Nights of Labor.

Review quote

"Ranciere is a refreshing read for anyone concerned with what art has to do with politics and society...Ranciere's writing strives to keep art's potential open in a time when the political appears to have all but closed down." J.J. Charlesworth, Art Review, "These essays are most valuable as the engagements of a brilliant philosopher with some of the key questions of contemporary aesthetics" Vertigo, "Like all of Jacques Ranciere's texts, The Future of the Image is vertiginously precise." Les Cahiers du cinema"