French Music, Culture, and National Identity, 1870-1939

French Music, Culture, and National Identity, 1870-1939


You save US$0.56

Free delivery worldwide

Dispatched from the UK in 4 business days

When will my order arrive?

Expected delivery to United States by Christmas Expected delivery to United States by Christmas

This collection of new essays examines the relationships between discourses of French national and regional identity, political alignment, and creative practice during one of France's most fascinating eras: the Third Republic. The authors, from a variety of disciplinary backgrounds, explore the ways in which the architects of the Third Republic (re)constructed France culturally and artistically, in part through artful use of the press and (at the 1889 Paris World's Fair) new technologies. The chapters also investigate changing attitudes toward Debussy's opera Pelleas et Melisande, attempts by composers and critics to define a musical canon, and the impact of religious education, spirituality, and exoticism for Gauguin and Jolivet. Tensions between the center and region are seen in celebrations for the national musical figurehead, Rameau, and in the cultural regionalism that flourished in the annexed territories of Alsace and Lorraine. Contributors: Edward Berenson, Katharine Ellis, Annegret Fauser, Didier Francfort, Brian Hart, Steven Huebner, Barbara L. Kelly, Detmar Klein, Deborah Mawer, James Ross, Marion Schmid, and Debora Silverman. Barbara L. Kelly is Professor of Musicology at Keele University.

show more

Product details

  • Hardback | 286 pages
  • 157.48 x 233.68 x 25.4mm | 385.55g
  • Boydell & Brewer Ltd
  • University of Rochester Press
  • Rochester, United States
  • English
  • 1, black & white illustrations
  • 1580462723
  • 9781580462723
  • 626,453

Other books in Music

Other people who viewed this bought:

Author Information

Keele University, England

show more

Review quote

Excellent essays by a lively mix of writers in different historical disciplines. A section devoted to identities in the French regions ("provinces") brings us a more inclusive, not merely Parisian, account of the decades after the Franco-Prussian War. An indispensable source for anyone fascinated by fin-de-siecle France. -- Carlo Caballero (University of Colorado), author of Faure and French Musical Aesthetics

show more