French Music, Culture, and National Identity, 1870-1939

French Music, Culture, and National Identity, 1870-1939

Hardback Eastman Studies in Music (Hardcover Numbered)

Edited by Barbara L. Kelly

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  • Publisher: University of Rochester Press
  • Format: Hardback | 286 pages
  • Dimensions: 157mm x 234mm x 25mm | 386g
  • Publication date: 1 June 2008
  • Publication City/Country: Rochester
  • ISBN 10: 1580462723
  • ISBN 13: 9781580462723
  • Illustrations note: 1, black & white illustrations
  • Sales rank: 658,212

Product description

This collection of new essays examines the relationships between discourses of French national and regional identity, political alignment, and creative practice during one of France's most fascinating eras: the Third Republic. The authors, from a variety of disciplinary backgrounds, explore the ways in which the architects of the Third Republic (re)constructed France culturally and artistically, in part through artful use of the press and (at the 1889 Paris World's Fair) new technologies. The chapters also investigate changing attitudes toward Debussy's opera Pelleas et Melisande, attempts by composers and critics to define a musical canon, and the impact of religious education, spirituality, and exoticism for Gauguin and Jolivet. Tensions between the center and region are seen in celebrations for the national musical figurehead, Rameau, and in the cultural regionalism that flourished in the annexed territories of Alsace and Lorraine. Contributors: Edward Berenson, Katharine Ellis, Annegret Fauser, Didier Francfort, Brian Hart, Steven Huebner, Barbara L. Kelly, Detmar Klein, Deborah Mawer, James Ross, Marion Schmid, and Debora Silverman. Barbara L. Kelly is Professor of Musicology at Keele University.

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Author information

Keele University, England

Review quote

Excellent essays by a lively mix of writers in different historical disciplines. A section devoted to identities in the French regions ("provinces") brings us a more inclusive, not merely Parisian, account of the decades after the Franco-Prussian War. An indispensable source for anyone fascinated by fin-de-siecle France. -- Carlo Caballero (University of Colorado), author of Faure and French Musical Aesthetics