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    French Cinema from the Liberation to the New Wave, 1945-1958 (Paperback) By (author) Andre Bazin, Translated by Professor Bert Cardullo

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    DescriptionAndre Bazin is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit. Bazin s French Cinema from the Liberation to the New Wave, 1945-1958 contains, for the first time in English, nearly all of his writings about the practitioners as well as the predecessors of the French New Wave, a movement that had a profound impact on the evolution of cinematic style and subject matter.


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  • Full bibliographic data for French Cinema from the Liberation to the New Wave, 1945-1958

    Title
    French Cinema from the Liberation to the New Wave, 1945-1958
    Authors and contributors
    By (author) Andre Bazin, Translated by Professor Bert Cardullo
    Physical properties
    Format: Paperback
    Number of pages: 415
    Width: 137 mm
    Height: 211 mm
    Thickness: 28 mm
    Weight: 590 g
    Language
    English
    ISBN
    ISBN 13: 9781608010844
    ISBN 10: 1608010848
    Classifications

    B&T Merchandise Category: GEN
    B&T Book Type: NF
    Nielsen BookScan Product Class 3: T1.6
    BIC E4L: PER
    B&T Modifier: Region of Publication: 01
    B&T Modifier: Academic Level: 05
    LC classification: PN
    B&T Modifier: Geographic Designator: 05
    Ingram Subject Code: PR
    Libri: I-PR
    Warengruppen-Systematik des deutschen Buchhandels: 25880
    Ingram Theme: CHRN/1940
    B&T General Subject: 221
    B&T Approval Code: C07590000
    BISAC Merchandising Theme: ET050
    Ingram Theme: CULT/FRANCE
    Abridged Dewey: 791
    BISAC V2.8: PER004030
    BIC subject category V2: APFA
    DC21: 791.4301
    B&T Modifier: Geographic Designator: 17
    Ingram Theme: CHRN/1950
    DC22: 791.4301
    Illustrations note
    black & white halftones
    Publisher
    Uno Press
    Imprint name
    Uno Press
    Publication date
    16 August 2012
    Author Information
    Bert Cardullo is Professor of Media and Communication at the Izmir University of Economics in Izmir, Turkey, where he teaches courses in film history, theory, and criticism. Born in New York City, he was educated at the University of Florida, Tulane, and Yale. His essays and reviews have appeared in such journals as the Yale Review, Cambridge Quarterly, Cinema Journal, and The New Republic; and he is the author, editor, or translator of a number of books on film and drama, the most recent of which are World Directors in Dialogue: Conversations on Cinema and Andre Bazin and Italian Neorealism