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- Publisher: Orion Children's Books (an Imprint of The Orion Publishing Group Ltd )
- Format: Paperback | 128 pages
- Dimensions: 128mm x 196mm x 14mm | 128g
- Publication date: 2 March 2000
- Publication City/Country: London
- ISBN 10: 1858817633
- ISBN 13: 9781858817637
- Illustrations note: 21
- Sales rank: 102,687
Imagine that a few years from now England is covered by water, and Norwich is an island. Zoe, left behind in the confusion when her parents escaped, survives there as best she can. Alone and desperate among marauding gangs, she manages to dig a derelict boat out of the mud and gets away to Eels Island. But Eels Island, whose raggle-taggle inhabitants are dominated by the strange boy Dooby, is full of danger too. The belief that she will one day find her parents spurs Zoe on to a dramatic escape in a story of courage and determination that leads to an unexpected and touching conclusion. FLOODLAND has a powerful and emotive theme, handled with warmth and humanity.
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Marcus Sedgwick used to work in children's publishing and before that he was a bookseller. He now happily writes full-time. His books have been shortlisted for many awards, including The GUARDIAN CHILDREN'S FICTION AWARD, the BLUE PETER BOOK AWARD, the CARNEGIE MEDAL and the EDGAR ALLAN POE AWARD. Marcus lives in Cambridge and has a teenage daughter, Alice. Find his website at www.marcussedgwick.com and follow him on Twitter @marcussedgwick
By Brenna Staats 02 May 2012
Floodland initially gave me the impression of a post-apocolyptic Lord of the Flies style book - a book which greatly impacted me when I read it in highschool and is one that I often consider the implications of and message from to this day.
Even small books can make a big impact, so I was optimistic when I started reading this one. But instead of packing a lot of punch in a small number of pages like I hoped, Floodland read more like a cautionary tale.
Reasons to Read:
1.A relevant message:
Marcus Sedgwick clearly delivers a cautionary tale in Floodland, by suggesting the implications of the future of the environment if our actions are not changed; and while those who are familiar with Lord of the Flies will pick up on a similar theme which is implied by Floodland, it is much more than simply a new spin on the same story. But this is an issue that is so current and modern, that many contemporary readers will easily be able to relate to and it raises poignant questions about our society today.
The problem with this though was that it really didn't work in the same way as Lord of the Flies, because it didn't expand enough on this theme and so it lacked the impact. As well, very little background was given and there was next to no room for any development to take place in such a short span of time.
So while I read Floodland expecting a short novel, my thoughts by the end were that it reads more as a fable or short story as opposed to a full length book.
It does end, however, with a hopeful message and I appreciated that from it. I found this to be the most effective part of the book, as it was successfully portrayed in a meaningful and touching ending.
Review copy received from Hachette UK Canada.