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    Film as Art: 50th Anniversary Printing (Paperback) By (author) Rudolf Arnheim

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    DescriptionIn the fall of 1957 the University of California Press expanded Arnheim's 1933 book "Film" by four essays and brought that landmark work back into print as "Film as Art". Now nearly fifty years after that re-edition, this book continues to occupy an important place in the literature of film. Arnheim's method, provocative in this age of technological wizardry, was to focus on the way art in film was derived from that medium's early limitations: no sound, no color, and no three-dimensional depth.


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  • Full bibliographic data for Film as Art

    Title
    Film as Art
    Subtitle
    50th Anniversary Printing
    Authors and contributors
    By (author) Rudolf Arnheim
    Physical properties
    Format: Paperback
    Number of pages: 230
    Width: 119 mm
    Height: 178 mm
    Thickness: 20 mm
    Weight: 159 g
    Language
    English
    ISBN
    ISBN 13: 9780520248373
    ISBN 10: 0520248376
    Classifications

    B&T Book Type: NF
    Nielsen BookScan Product Class 3: T1.6
    BIC E4L: PER
    BISAC V2.8: PER004000
    BIC subject category V2: APF
    Ingram Subject Code: PR
    Abridged Dewey: 790
    B&T General Subject: 221
    DC22: 791.43
    BISAC V2.8: ART000000
    Warengruppen-Systematik des deutschen Buchhandels: 15880
    BISAC V2.8: PER004030
    B&T Merchandise Category: UP
    LC subject heading:
    DC22: 791.4
    LC classification: PN1994 .A672 2006
    LC subject heading:
    Thema V1.0: ATF
    Edition
    2, Revised
    Edition statement
    2nd Revised edition
    Illustrations note
    2 diagrams
    Publisher
    University of California Press
    Imprint name
    University of California Press
    Publication date
    06 March 2006
    Publication City/Country
    Berkerley
    Author Information
    Rudolf Arnheim is Professor Emeritus of the Psychology of Art at Harvard University. His books include Visual Thinking (California, 1969, 2004) and Art and Visual Perception (California, 1954, 1974, 2004).
    Review quote
    "More than half a century since its initial publication, this deceptively compact book remains among the most incisive analyses of the formal and perceptual dynamics of cinema. No one who cares about film can afford to remain ignorant of its insights and wisdom. As digital technology fundamentally alters motion pictures, the lessons of Film as Art commend themselves as excellent insurance against reinventing the wheel in the new media landscape and hailing it as progress." - Edward Dimendberg author of Film Noir and the Spaces of Modernity "After more than eight decades, Rudolph Arnheim's small book of film theory remains one of the essential works in defining film art, understanding film less as reproducing the world than as opening up new possibilities for formal play and unexpected imagery. Anyone serious about film, whether scholar, filmmaker or simply a lover of cinema, must take Arnheim seriously." - Tom Gunning, author of The Films of Fritz Lang (2000) and D.W. Griffith and the Origins of American Narrative Film (1994)"
    Back cover copy
    "More than half a century since its initial publication, this deceptively compact book remains among the most incisive analyses of the formal and perceptual dynamics of cinema. No one who cares about film can afford to remain ignorant of its insights and wisdom. As digital technology fundamentally alters motion pictures, the lessons of Film as Art commend themselves as excellent insurance against reinventing the wheel in the new media landscape and hailing it as progress."--Edward Dimendberg author of "Film Noir and the Spaces of Modernity "After more than eight decades, Rudolph Arnheim's small book of film theory remains one of the essential works in defining film art, understanding film less as reproducing the world than as opening up new possibilities for formal play and unexpected imagery. Anyone serious about film, whether scholar, filmmaker or simply a lover of cinema, must take Arnheim seriously."--Tom Gunning, author of "The Films of Fritz Lang (2000) and "D.W. Griffith and the Origins of American Narrative Film (1994) "An aesthetic theory based on the formal 'limitations' of the medium, Arnheim's "Film as Art always provokes students in an age of few limits and less formality, and they argue and engage this classic text with unparalleled passion. Written in the wake of sound's transformation of the cinema, Arnheim's essays are not only central to understanding a major historical moment in theoretical debates about what constitutes the 'essence' of film, but also are a must read for anyone seeking a lucid, detailed, and rigorous argument about how works of art emerge from expressive constraint as much as expressive freedom."--Vivian Sobchack, author of "Carnal Thoughts(California, 2004) and many other books of film criticism.