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    Film Art: An Introduction (Film Art: An Introduction) (Paperback) By (author) David Bordwell, By (author) Kristin Thompson

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    DescriptionFilm is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by a wide range of examples from various periods and countries, the authors strive to help students develop a core set of analytical skills that will deepen their understanding of any film, in any genre. Frame enlargements throughout the text enable students to view images taken directly from completed films, while an optional, text-specific tutorial CD-ROM helps clarify and reinforce specific concepts addressed in the text with the use of film clips. Building on these strengths, the ninth edition adds coverage of new technologies, updated examples, and references to the authors' acclaimed weblog to provide unparalleled currency and connect students with the world of cinema today.


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    Title
    Film Art
    Subtitle
    An Introduction
    Authors and contributors
    By (author) David Bordwell, By (author) Kristin Thompson
    Physical properties
    Format: Paperback
    Number of pages: 544
    Width: 210 mm
    Height: 281 mm
    Thickness: 20 mm
    Weight: 1,070 g
    Language
    English
    ISBN
    ISBN 13: 9780073386164
    ISBN 10: 0073386162
    Classifications

    B&T Book Type: NF
    Nielsen BookScan Product Class 3: T1.6
    BIC E4L: PER
    B&T Modifier: Region of Publication: 01
    BISAC V2.8: PER004000
    B&T Modifier: Academic Level: 01
    Ingram Subject Code: T1
    B&T General Subject: 221
    Warengruppen-Systematik des deutschen Buchhandels: 15880
    B&T Modifier: Text Format: 06
    B&T Merchandise Category: STX
    BISAC V2.8: PER004030
    BIC subject category V2: APFA
    LC subject heading:
    DC22: 791.4301
    B&T Approval Code: C07300000
    LC classification: PN1995 .B617 2010
    LC subject heading:
    Edition
    9, Revised
    Edition statement
    9th Revised edition
    Illustrations note
    col. Illustrations
    Publisher
    McGraw-Hill Education - Europe
    Imprint name
    McGraw Hill Higher Education
    Publication date
    01 January 2010
    Publication City/Country
    London
    Author Information
    David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include The Films of Carl Theodor Dreyer (University of California Press, 1981), Narration in the Fiction Film (University of Wisconsin Press, 1985), Ozu and the Poetics of Cinema (Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000), Figures Traced in Light: On Cinematic Staging (University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press, 2006), and The Poetics of Cinema (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His we site is www.davidbordwell.net. Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison. She holds a master's degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison. She has published Eisenstein's Ivan the Terrible: A Neoformalist Analysis (Princeton University Press, 1981), Exporting Entertainment: America in the World Film Market 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), Wooster Proposes, Jeeves Disposes, or, Le Mot Juste (James H. Heineman, 1992), Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Harvard University Press, 1999), Storytelling in Film and Television (Harvard University Press, 2003), Herr Lubitsch Goes to Hollywood: German and American Film after World War I (Amsterdam University Press, 2005), and The Frodo Franchise: The Lord of the Rings and Modern Hollywood (University of California Press, 2007). She blogs with David at www.davidbordwell.net/blog. She maintains her own blog, "The Frodo Franchise," at www.kristinthompson.net/blog. In her spare time she studies Egyptology. The authors have also collaborated on Film History: An Introduction (McGraw-Hill, 3rd. ed., 2010) and, with Janet Staiger, on The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 (Columbia University Press, 1985).
    Table of contents
    Part One: Film Art and Filmmaking Chapter 1. Putting Films on Screen Part Two: Film FormChapter 2. The Significance of Film FormChapter 3. Narrative as a Formal System Part Three: Film StyleChapter 4. The Shot: Mise-en-SceneChapter 5. The Shot: CinematographyChapter 6. The Relation of Shot to Shot: EditingChapter 7. Sound in the Cinema Chapter 8. Style as a Formal System Part Four: Types of FilmsChapter 9. Film GenresChapter 10. Documentary, Experimental, and Animated Films Part Five: Critical Analysis of FilmsIntroduction: Writing a Critical Analysis of a FilmChapter 11. Sample Analyses Part Six: Film Art and Film HistoryChapter 12. Film Art and Film History