Facing the Modern

Facing the Modern : The Portrait in Vienna, 1900

By (author) , Foreword by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by


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During the great flourishing of modern art in fin-de-siecle Vienna, artists of that city focused on images of individuals. Their portraits depict artists, patrons, families, friends, intellectual allies, and society celebrities from the upwardly mobile middle classes. Viewed as a whole, the images allow us to reconstruct the subjects' shifting identities as the Austro-Hungarian Empire underwent dramatic political changes, from the 1867 Ausgleich (Compromise) to the end of World War I. This is viewed as a time when the avant-garde overthrew the academy, yet Facing the Modern tells a more complex story of the time through thought-provoking texts by numerous leading art historians. Their writings examine paintings by innovative artists such as Gustav Klimt, Oskar Kokoschka, and Egon Schiele alongside earlier works, blurring the conventionally-held distinctions between 19th-century and early-20th-century art, and revealing surprising continuities in the production and consumption of portraits. This compelling book features works not only by famous names but also by lesser-known female and Jewish artists, giving a more complete picture of the time.

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Product details

  • Hardback | 216 pages
  • 224 x 296 x 20mm | 1,359.98g
  • National Gallery Company Ltd
  • London, United Kingdom
  • English
  • 140 colour illustrations
  • 1857095618
  • 9781857095616
  • 303,111

Other books in Art History: c 1800 to c 1900

About Gemma Blackshaw

Gemma Blackshaw is associate professor of history of art and visual culture at Plymouth University.

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