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    Drawings from the Gulag (Hardback) By (author) Danzig Baldaev, Edited by Damon Murray, Foreword by Damon Murray, Edited by Stephen Sorrell, Foreword by Stephen Sorrell

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    Description"Drawings from the Gulag" consists of 130 drawings by Danzig Baldaev (author of the acclaimed "Russian Criminal Tattoo Encyclopaedia" series), describing the history, horror and peculiarities of the Gulag system from its inception in 1918. Baldaev's father, a respected ethnographer, taught him techniques to record the tattoos of criminals in St. Petersburg's notorious Kresty prison, where Danzig worked as a guard. He was reported to the K.G.B. who unexpectedly offered support for his work, allowing him the opportunity to travel across the former U.S.S.R. Witnessing scenes of everyday life in the Gulag, he chronicled this previously closed world from both sides of the wire. With every vignette, Baldaev brings the characters he depicts to vivid life: from the lowest "zek" (inmate) to the most violent tattooed "vor" (thief), all the practices and inhabitants of the Gulag system are depicted here in incredible and often shocking detail. In documenting the attitude of the authorities to those imprisoned, and the transformation of these citizens into survivors or victims of the Gulag system, this graphic novel vividly depicts methods of torture and mass murder undertaken by the administration, as well as the atrocities committed by criminals upon their fellow inmates. Danzig Baldaev was born in 1925 in Ulan-Ude, Buryatiya, Russia. In 1948, after serving in the army in World War II, he was ordered by the N.K.V.D. to work as a warden in the infamous Leningrad prison, Kresty, where he started drawing the tattoos of criminals. His collection of drawings, which he made in different reformatory settlements for criminals all over the former U.S.S.R. over a period of more than 50 years, have been published by Fuel in three volumes, in the bestselling "Russian Criminal Tattoo Encyclopaedia" series.

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    Drawings from the Gulag
    Authors and contributors
    By (author) Danzig Baldaev, Edited by Damon Murray, Foreword by Damon Murray, Edited by Stephen Sorrell, Foreword by Stephen Sorrell
    Physical properties
    Format: Hardback
    Number of pages: 240
    Width: 176 mm
    Height: 199 mm
    Thickness: 19 mm
    Weight: 480 g
    ISBN 13: 9780956356246
    ISBN 10: 0956356249

    Abridged Dewey: 709
    LC classification: N
    B&T Merchandise Category: GEN
    B&T General Subject: 140
    B&T Book Type: NF
    Ingram Subject Code: GV
    BIC E4L: ART
    B&T Modifier: Region of Publication: 03
    B&T Modifier: Academic Level: 05
    Nielsen BookScan Product Class 3: T1.3
    B&T Modifier: Subject Development: 01
    BIC subject category V2: AKC
    Warengruppen-Systematik des deutschen Buchhandels: 11800
    Libri: ENGM1080
    B&T Modifier: Text Format: 03
    B&T Modifier: Geographic Designator: H5
    B&T Approval Code: A03401000
    BISAC V2.8: ART049000, ART016030, CGN007000
    DC22: 365.947022
    DC23: 365.947022
    Edition statement
    Iminal Tattoo E.
    Fuel Publishing
    Imprint name
    Fuel Publishing
    Publication date
    31 October 2010
    Publication City/Country
    Review quote
    In the Soviet Union, desk drawers became sarcophagi; entombed within them were the creative endeavours of the most talented and perceptive Soviet citizens. Yet it is best not to idealise such hiding spaces as reserves of dormant illumination; indeed, there may have been no limit to the depths of darkness possible within them.Consider the case of Danzig Baldaev. Born in 1925 in Ulan-Ude, in east-central Russia, Baldaev was the son of an ethnographer who was arrested as an "enemy of the people." He grew up in an orphanage for the children of "enemies" and following his service in the second world war was "forced," as he described it, by the NKVD (a forerunner of the KGB) to work as a warder at Kresty prison in Leningrad, now St Petersburg. His employment in the Soviet penal system took him all over the USSR, but in private, he poured the psychological detritus of his profession into a terrifying work of sadistic pornography, which he dedicated, in 1988, to Alexander Solzhenitsyn.Roland E