• Dithyramb in Context See large image

    Dithyramb in Context (Hardback) Edited by Barbara Kowalzig, Edited by Peter Wilson

    $157.79 - Save $27.90 15% off - RRP $185.69 Free delivery worldwide Available
    Dispatched in 3 business days
    When will my order arrive?
    Add to basket | Add to wishlist |

    DescriptionThe dithyramb, a choral song associated mostly with the god Dionysos, is the longest-surviving form of collective performance in Greek culture, lasting in its shifting shapes from the seventh century BC into late antiquity. Yet it has always stood in the shadow of its more glamorous relations - tragedy, comedy, and the satyr-play. This volume, with contributions from international experts in the field, is the first to look at dithyramb in its entirety, understanding it as an important social and cultural phenomenon of Greek antiquity. Dithyramb in Context explores the idea that the dithyramb is much more than a complex poetic form: the history of the dithyramb is a history of changing performance cultures which form part of a continuous social process. How the dithyramb functions as a marker, as well as a carrier, of social change throughout Greek antiquity is expressed in themes as various as performance and ritual, poetics and intertextuality, music and dance, and history and politics. Drawing together literary critics, historians of religion, archaeologists, epigraphers, and historians, this volume applies a wide historical and geographical framework, scrutinizing the poetry and, for the first time, giving due weight to the evidence of epigraphy and the visual arts.


Other books

Other people who viewed this bought | Other books in this category
Showing items 1 to 10 of 10

 

Reviews | Bibliographic data
  • Full bibliographic data for Dithyramb in Context

    Title
    Dithyramb in Context
    Authors and contributors
    Edited by Barbara Kowalzig, Edited by Peter Wilson
    Physical properties
    Format: Hardback
    Number of pages: 512
    Width: 164 mm
    Height: 242 mm
    Thickness: 34 mm
    Weight: 1,060 g
    Language
    English
    ISBN
    ISBN 13: 9780199574681
    ISBN 10: 0199574685
    Classifications

    Nielsen BookScan Product Class 3: T3.7
    BIC subject category V2: DSC
    B&T Book Type: NF
    BIC E4L: LIT
    BIC time period qualifier V2: 3D
    B&T Modifier: Region of Publication: 03
    BIC geographical qualifier V2: 1QDAG
    B&T Modifier: Geographic Designator: 05
    Libri: I-HP
    BIC subject category V2: DSBB
    BIC language qualifier (language as subject) V2: 2AHA
    Ingram Subject Code: HP
    B&T General Subject: 431
    Ingram Theme: CHRN/ANCIEN, CULT/GREECE
    B&T Modifier: Text Format: 02
    Warengruppen-Systematik des deutschen Buchhandels: 15540
    B&T Modifier: Geographic Designator: 37
    B&T Modifier: Academic Level: 02
    B&T Merchandise Category: UP
    BISAC V2.8: HIS002010, SOC002010
    DC22: 884.01
    BIC subject category V2: 2AHA, 3D, 1QDAG
    BISAC V2.8: MUS015000
    LC subject heading:
    DC23: 881.0109
    LC subject heading:
    LC classification: PA3118.D58 D58 2013
    Thema V1.0: AVA, JHMC, DSBB, DSC
    Thema language qualifier V1.0: 2AHA
    Thema geographical qualifier V1.0: 1QBAG
    Thema time period qualifier V1.0: 3C
    Illustrations note
    35 in-text illustrations
    Publisher
    Oxford University Press
    Imprint name
    Oxford University Press
    Publication date
    24 August 2013
    Publication City/Country
    Oxford
    Author Information
    Peter Wilson is William Ritchie Professor of Classics at the University of Sydney and the inaugural Director of the Centre for Classical & Near Eastern Studies of Australia. He is the author of The Athenian Institution of the 'Khoregia': the Chorus, the City and the Stage, Greek Theatre and Festivals: Documentary Studies (2007) and Performance, Reception, Iconography: Studies in Honour of Oliver Taplin (with M. Revermann, 2008).
    Table of contents
    ACKNOWLEDGEMENTS ; TABLE OF CONTENTS ; LIST OF CONTRIBUTORS ; LIST OF ILLUSTRATIONS ; CONVENTIONS AND ABBREVIATIONS ; 1. Introduction: The World of Dithyramb ; I SOCIAL AND RELIGIOUS CONTEXTS ; 2. Dancing Dolphins: Dithyramb and Society in the Archaic Period ; 3. Becoming like Dionysos: Dithyramb and Dionysian Initiation ; 4. Demeter and Dionysos in the Sixth-Century Argolid: Lasos of Hermione, the Cult of Demeter Chthonia and the Origins of Dithyramb ; 5. Dithyramb and Greek Tragedy ; II DEFINING AN ELUSIVE PERFORMANCE FORM ; 6. The Name of the Dithyramb: Diachronic and Diatopic Variations ; 7. Athens and the Empire: The Contextual Flexibility of Dithyramb, and its Imperialist Ramifications ; 8. Cyclic Choroi and the Dithyramb in the Classical and Hellenistic period: a Problem of Definition ; 9. The Semantics of Processional Dithyramb: Pindar s Second Dithyramb and Archaic Athenian Vase-Painting ; 10. Music and Movement in the Dithyramb ; III NEW MUSIC ; 11. Songbenders of circular choruses : Dithyramb and the Demise of Music ; 12. Kyklops Kitharoidos: Dithyramb and Nomos in Play ; 13. Satyr-play, dithyramb and the Geopolitics of Dionysian Style in Fifth-Century Athens ; 14. Performance and the Drinking Vessel: Looking for an Imagery of Dithyramb in the Time of the New Music ; IV TOWARDS A POETICS OF DITHYRAMB ; 15. The Poetics of Dithyramb ; 16. The Dithyramb, a Dionysiac Poetic Form: Genre Rules and Cultic Contexts ; 17. Dithyramb in Greek Thought: The Problem of Choral Mimesis ; 18. One for whom the tribes dispute: The Dithyrambic Poet and the City of Athens ; V DITHYRAMB IN THE ROMAN EMPIRE ; 19. Choroi and tripods: The Politics of the Choregia in Roman Athens ; 20. Dithyrambos, Thriambos, Triumphus: Dionysiac Discourse at Rome ; BIBLIOGRAPHY ; INDEX OF PASSAGES ; SUBJECT INDEX