Diplomacy by Design: Luxury Arts and an "International Style" in the Ancient Near East, 1400-1200 BCE

Diplomacy by Design: Luxury Arts and an "International Style" in the Ancient Near East, 1400-1200 BCE

Hardback

By (author) Marian H. Feldman

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  • Publisher: University of Chicago Press
  • Format: Hardback | 272 pages
  • Dimensions: 224mm x 285mm x 25mm | 1,383g
  • Publication date: 15 September 2006
  • Publication City/Country: Chicago, IL
  • ISBN 10: 0226240444
  • ISBN 13: 9780226240442
  • Illustrations note: 20 colour plates, 71 halftones, 2 maps, 1 table
  • Sales rank: 472,887

Product description

Art and international relations during the Late Bronze Age formed a symbiosis as expanded travel and written communications fostered unprecedented cultural exchange across the Mediterranean. Diplomacy in these new political and imperial relationships was often maintained through the exchange of lavish art objects and luxury goods. The items bestowed during this time shared a repertoire of imagery that modern scholars call the first International Style in the history of art. Marian H. Feldman's "Diplomacy by Design" examines the profound connection between art produced during this period and its social context, revealing inanimate objects as catalysts - or even participants - in human dynamics. Feldman's fascinating study shows the ways in which the exchange of these works of art actively mediated and strengthened political relations, intercultural interactions, and economic negotiations. Previous studies of this international style have focused almost exclusively on stylistic attribution at the expense of social contextualization. Written by a specialist in ancient near Eastern art and archaeology who has excavated and traveled extensively in this area of the world, "Diplomacy by Design" provides a much broader consideration of the symbolic power of material culture and its centrality in the construction of human relations.

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Author information

Marian H. Feldman is assistant professor of ancient Near Eastern art in the Department of Near Eastern Studies at the University of California, Berkeley.

Review quote

"This is a superb piece of scholarship, as well crafted as the objects it describes in fluent and knowledgeable detail. Diplomacy by Design is a strikingly original, lucid volume bound to entice a diverse readership." - A. Bernard Knapp, University of Glasgow"

Flap copy

During the fourteenth and thirteenth centuries BCE, the kings of Egypt, Babylonia, Assyria, and Hatti participated in a complex international community. These two hundred years also witnessed the production of luxurious artworks made of gold, ivory, alabaster, and faience--objects that helped to foster good relations among the kingdoms. In fact, as Marian H. Feldman makes clear here, art and international relations during the Late Bronze Age formed an unprecedented symbiosis, in concert with expanded travel and written communications across the Mediterranean. And thus diplomacy was invigorated through the exchange of lavish art objects and luxury goods, which shared a repertoire of imagery that modern scholars have called the first International Style in the history of art. Previous studies have focused almost exclusively on stylistic attribution of these objects at the expense of social contextualization. Feldman's "Diplomacy by Design" instead examines the profound connection between art produced during this period and its social and political contexts, revealing inanimate objects as catalysts--or even participants--in human dynamics. Feldman's fascinating study shows the ways in which the diplomatic circulation of these works actively mediated and strengthened political relations, intercultural interactions, and economic negotiations and she does so through diverse disciplinary frameworks including art history, anthropology, and social history. Written by a specialist in ancient Near Eastern art and archaeology who has excavated and traveled extensively in this area of the world, "Diplomacy by Design" considers anew the symbolic power of material culture and its centrality in the construction of human relations.