- Publisher: Puffin Books
- Format: Paperback | 170 pages
- Dimensions: 127mm x 178mm x 15mm | 136g
- Publication date: 12 April 2004
- Publication City/Country: New York, NY
- ISBN 10: 0142401099
- ISBN 13: 9780142401095
- Sales rank: 46,685
Winner of the National Jewish Book Award, "a triumphantly moving book."* Hannah is tired of holiday gatherings all her family ever talks about is the past. In fact, it seems to her that's what they do every Jewish holiday. But this year's Passover Seder will be different Hannah will be mysteriously transported into the past . . . and only she knows the unspeakable horrors that await. *"Kirkus Reviews," pointer review"
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Born and raised in New York City, Jane Yolen now lives in Hatfield, Massachusetts. She attended Smith College and received her master's degree in education from the University of Massachusetts. The distinguished author of more than 170 books, Jane Yolen is a person of many talents. When she is not writing, Yolen composes songs, is a professional storyteller on the stage, and is the busy wife of a university professor, the mother of three grown children, and a grandmother.Active in several organizations, Yolen has been on the Board of Directors of the Society of Children's Book Writers and Illustrators, was president of the Science Fiction Writers of America from 1986 to 1988, is on the editorial board of several magazines, and was a founding member of the Western New England Storytellers Guild, the Western Massachusetts Illustrators Guild, and the Bay State Writers Guild. For twenty years, she ran a monthly writer's workshop for new children's book authors. In 1980, when Yolen was awarded an honorary Doctor of Law degree by Our Lady of the Elms College in Chicopee, Massachusetts, the citation recognized that "throughout her writing career she has remained true to her primary source of inspiration--folk culture." Folklore is the "perfect second skin," writes Yolen. "From under its hide, we can see all the shimmering, shadowy uncertainties of the world." Folklore, she believes, is the universal human language, a language that children instinctively feel in their hearts.All of Yolen's stories and poems are somehow rooted in her sense of family and self. The Emperor and the Kite, which was a Caldecott Honor Book in 1983 for its intricate papercut illustrations by Ed Young, was based on Yolen's relationship with her late father, who was an international kite-flying champion. Owl Moon, winner of the 1988 Caldecott Medal for John Schoenherr's exquisite watercolors, was inspired by her husband's interest in birding.Yolen's graceful rhythms and outrageous rhymes have been gathered in numerous collections. She has earned many awards over the years: the Regina Medal, the Kerlan Award, the World Fantasy Award, the Society of Children's Book Writers Award, the Mythopoetic Society's Aslan Award, the Christopher Medal, the Boy's Club Jr. Book Award, the Garden State Children's Book Award, the Daedalus Award, a number of Parents' Choice Magazine Awards, and many more. Her books and stories have been translated into Japanese, French, Spanish, Chinese, German, Swedish, Norwegian, Danish, Afrikaans, !Xhosa, Portuguese, and Braille.With a versatility that has led her to be called "America's Hans Christian Andersen," Yolen, the child of two writers, is a gifted and natural storyteller. Perhaps the best explanation for her outstanding accomplishments comes from Jane Yolen herself: "I don't care whether the story is real or fantastical. I tell the story that needs to be told."copyright ? 2000 by Penguin Putnam Books for Young Readers. All rights reserved.
By TeensReadToo 17 Sep 2010
THE DEVIL'S ARITHMETIC by Jane Yolen is required reading at my school, as it is in many middle/junior high schools across the country. I've been meaning to read it for several years but never did, until my son read it this year as an eighth grader. He insisted I read it. How could I resist that?
Hannah is celebrating Passover Seder with her family. It's the same thing every year. Grandpa will get all worked up over old photos on TV, shaking his fist, screaming about the numbers on his arm, and Aunt Eva will calm him down as she always does, laying a hand on his arm, leading the same old Jewish prayers as Hannah mumbles along. But this year will be different. Hannah's brother, Aaron, will get to hide the afikoman, Hannah will get to taste real wine, and then she'll get to open the door to symbolically welcome in the prophet Elijah.
But when she opened that door, she had no idea just how different this year's celebration would be.
Instead of seeing the hallway in front of her as she expected, she sees a man coming her way, crossing a field. Confused, she turns back to her family and instead sees a strange woman, dressed even more strangely, kneading dough on a wooden table. Hannah's confusion grows as she hears herself referred to as Chaya, and discovers that these two people believe themselves to be her Aunt Gitl and Uncle Shmuel. More unbelievably, they talk about her parents' deaths, and that she herself had nearly died, sick for weeks.
Feeling like she's in a dream she can't wake up from, she finds herself pulled into wedding festivities, which includes walking to a nearby village for the celebration. There, her dream turns into a nightmare. Hannah is slowly disappearing as Chaya is loaded onto trucks with the other villagers. Then, later, they are prodded like cattle aboard boxed railroad cars with no ventilation, and they travel, standing, for four days and nights without food or bathrooms. What follows is days, weeks, maybe months, in a Jewish concentration camp.
Jane Yolen's telling of the Holocaust is chilling. She gathered information from survivors, those heroes who remember so that the atrocities of the past will never happen again. Ms. Yolen writes in her final pages to the reader, "That heroism - to resist being dehumanized, to simply outlive one's tormentors, to practice the quiet, everyday caring for one's equally tormented neighbors. To witness. To remember. These were the only victories of the camps."
This book is incredibly powerful. The way Ms. Yolen weaves the past and present together forces the reader to make personal connections. She makes the reader think and ask questions. How could society have allowed such a thing to happen? And, more importantly, how can we assure that it will never happen again? I truly hope THE DEVIL'S ARITHMETIC will remain required reading in schools. Each new generation must bear the weight of those lost souls upon their heart. They must believe that such devastating events can, and did, happen. Only in believing and remembering can we move forward to a better society.
Thank you, Ms. Yolen, for this riveting and thought-provoking book.
*Gold Star Award Winner!
A triumphantly moving book. ("Kirkus Reviews," pointer review)