David Copperfield
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David Copperfield

By (author) , By (author) , Introduction and notes by , Illustrated by , Series edited by

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Introduction and Notes by Dr Adrienne Gavin, Canterbury Christ Church University College. Illustrations by Hablot K. Browne (Phiz). Dickens wrote of David Copperfield: 'Of all my books I like this the best'. Millions of readers in almost every language on earth have subsequently come to share the author's own enthusiasm for this greatly loved classic, possibly because of its autobiographical form. Following the life of David through many sufferings and great adversity, the reader will also find many light-hearted moments in the company of a host of English fiction's greatest stars including Mr Micawber, Traddles, Uriah Heep, Creakle, Betsy Trotwood, and the Peggoty family. Few readers, arriving at the end of David Copperfield, will not wish to echo Thackeray's famous praise, having read the first monthly part - 'Bravo Dickens'.

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Product details

  • Paperback | 768 pages
  • 127 x 195.58 x 45.72mm | 521.63g
  • Wordsworth Editions Ltd
  • Herts, United Kingdom
  • English
  • 185326024X
  • 9781853260247
  • 7,777

Back cover copy

'I really think I have done it ingeniously and with a very complicated interweaving of truth and fiction.' So wrote Dickens of David Copperfield (1850), the novel he called his 'favourite child'. Through his hero Dickens draws openly on his own life, as David Copperfield recalls his experiences from childhood to the discovery of his vocation as a successful novelist. Rosa Dartle, Dora, Steerforth and Uriah Heep are among the characters who focus the hero's sexual and emotional drives, and Mr Micawber, a portrait of Dickens's own father, evokes the mixture of love, nostalgia and guilt that, put together, make this Dickens's most quoted and best-loved novel.

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Review Text

A more or less self-contained excerpt from the novel, in a creative abridgement done by Dickens for one of his public readings (Anthea Bell's afterword provides notes about these performances and the texts Dickens prepared for them). The fragile pen-and-ink drawings have been flooded with watercolor and given a smudged, atmospheric look. Marks (The Fisherman and His Wife, 1991, etc.) zeroes in on the basic dramatic premise of each scene - wet and dark exteriors, warm and dry interiors, characters engaged in lively conversation or sending each other meaningful looks. Marks's storytelling skills are further demonstrated by the different sizes of the pictures, their distribution, and layout - they evocatively conjure this hearty tale, and will send readers off to the original. (Kirkus Reviews)

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