• The Culture of Curating and the Curating of Culture(s)

    The Culture of Curating and the Curating of Culture(s) (Hardback) By (author) Paul O'Neill

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    DescriptionOnce considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O'Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O'Neill describes how, by the 1980s, curated group exhibitions--large-scale, temporary projects with artworks cast as illustrative fragments--came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O'Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated--and authorized--the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O'Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.


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  • Full bibliographic data for The Culture of Curating and the Curating of Culture(s)

    Title
    The Culture of Curating and the Curating of Culture(s)
    Authors and contributors
    By (author) Paul O'Neill
    Physical properties
    Format: Hardback
    Number of pages: 200
    Width: 178 mm
    Height: 231 mm
    Thickness: 15 mm
    Weight: 567 g
    Language
    English
    ISBN
    ISBN 13: 9780262017725
    ISBN 10: 0262017725
    Classifications

    Nielsen BookScan Product Class 3: T1.1
    B&T General Subject: 140
    B&T Book Type: NF
    BIC E4L: ART
    B&T Modifier: Region of Publication: 01
    Ingram Subject Code: AT
    Warengruppen-Systematik des deutschen Buchhandels: 15820
    Libri: I-AT
    BIC subject category V2: GM
    B&T Modifier: Academic Level: 02
    LC subject heading:
    B&T Merchandise Category: UP
    BIC subject category V2: ACXJ
    BISAC V2.8: ART023000
    DC22: 707.5
    BISAC V2.8: ART059000
    LC subject heading: , ,
    BISAC V2.8: ART027000
    DC23: 707.5
    LC classification: N4396 .O54 2012
    Ingram Theme: ASPT/ARTAS
    Thema V1.0: AGA, JBCC1, GLZ
    Edition statement
    New ed.
    Illustrations note
    31 b&w illus.
    Publisher
    MIT Press Ltd
    Imprint name
    MIT Press
    Publication date
    09 October 2012
    Publication City/Country
    Cambridge, Mass.
    Author Information
    Paul O'Neill is a curator, artist, and writer who has curated or co-curated more than fifty projects. As author and editor, he has published widely in books, anthologies, journals, and art magazines. He lives in Bristol, U.K.
    Review quote
    "Delivering, in great detail, the conflicting views of a variety of influential curators, theorists, art historians, and artists, his dense historical read provides a survey of curatorial discourse, but falls short of investigating what it really means to curate today... O'Neill has provided a thorough account of recent curatorial history, but he fails to give us clues to or considerations of its future. He conducts his research within the field of curatorial discourse, and that's where it remains." -- Loney Abrams, The Brooklyn Rail