The Conscience of the Eye: The Design and Social Life of CitiesPaperback
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- Publisher: WW Norton & Co
- Format: Paperback | 288 pages
- Dimensions: 137mm x 206mm x 20mm | 272g
- Publication date: 17 August 1992
- Publication City/Country: New York
- ISBN 10: 0393308782
- ISBN 13: 9780393308785
- Edition statement: Revised ed.
- Illustrations note: black & white illustrations
- Sales rank: 218,067
From the assembly halls of Athens to the Turkish baths of New York's Lower East Side, from eighteenth-century English gardens to the housing projects of Harlem-a study of the physical fabric of the city as a mirror of Western society and culture.
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Richard Sennett teaches sociology at the London School of Economics and New York University
"Over the past 20 years, Richard Sennett has been at the forefront of those generalists endeavoring to synthesize the urban insights of history, architecture, the arts and social sciences into a coherent cultural vision... A wonderful, stimulating, richly thoughtful work that should add much to our debate about cities in the coming years." -- Philip Lopate "A radical, original rethinking of our relationship to the built environment." "Sennett brings an immensely civilized perspective to the forms and patterns-the visual experiences-of cities, primarily New York City, interpreting how they shape, reflect, or, sadly, fail to reflect, the human beings who built and use them... Provocative and learned."
In a critique of urban art (baroque churches to subway graffiti), architecture (Renaissance obelisks to the Union Club and Le Corbusier), and the social rituals that take place around them, Sennett (Sociology/NYU) brings an immensely civilized perspective to the forms and patterns - the visual experiences - of cities, primarily New York City, interpreting how they shape, reflect, or, sadly, fail to reflect the human beings who build and use them. As in earlier works (e.g., The Uses of Disorder, 1970; The Fall of Public Man, 1977; Authority, 1980, and the novel Palais Royal, 1987), Sennett explores the creative and psychological possibilities and penalties of urban life. In place of such dominant forms as the grid ("the geometry of power," disguising an inner emptiness) or the glass building (visibility that isolates), he proposes the Ideal City of Deconstruction, derived from Derrida's aesthetics - a city that celebrates differences, discontinuities, disorientation rather than serving as a refuge from them. The theory is like the steam in the Turkish Bath on the Lower East Side that this author deconstructs so skillfully: a pleasant obscuration. Sennett's strength is in his illustrative material-ranging, diverse, apt - from St. Augustine to James Baldwin, Adam Smith, Henry James, Balanchine, Allen Ginsberg, Sarah Bernhardt, and Hannah Arendt. The best parts are the autobiographical excursions up Third Avenue (pausing at an equestrian supply store politely selling whips to Connecticut matrons and the local S/M crowd) or among the peddlers of 14th Street, as Sennett savors and interprets a city he obviously loves. Provocative and learned - but such a visually oriented book suffers from lack of illustrations. (Kirkus Reviews)
Back cover copy
From the assembly halls of Athens to the Turkish baths of New York's Lower East Side, from eighteenth-century English gardens to the housing projects of Harlem--a study of the physical fabric of the city as a mirror of Western society and culture.