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    Concerning the Spiritual in Art (Dover Fine Art, History of Art) (Paperback)(English / German) By (author) Wassily Kandinsky, Introduction by M. T. Sadler

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    DescriptionA pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866-1944), it explains Kandinsky's own theory of painting and crystalizes the ideas that were influencing many other modern artists of the period. Along with his own ground-breaking paintings, this book had a tremendous impact on the development of modern art.

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    Concerning the Spiritual in Art
    Authors and contributors
    By (author) Wassily Kandinsky, Introduction by M. T. Sadler
    Physical properties
    Format: Paperback
    Number of pages: 80
    Width: 137 mm
    Height: 214 mm
    Thickness: 8 mm
    Weight: 158 g
    ISBN 13: 9780486234113
    ISBN 10: 0486234118

    B&T Merchandise Category: GEN
    B&T General Subject: 140
    B&T Book Type: NF
    BIC E4L: ART
    LC subject heading:
    BIC subject category V2: AC
    Nielsen BookScan Product Class 3: T1.0
    BIC subject category V2: ABA
    Ingram Theme: APPR/CLASSA
    Ingram Subject Code: AT
    Libri: I-AT
    Warengruppen-Systematik des deutschen Buchhandels: 25820
    Ingram Theme: APPR/RDRCAT
    LC subject heading:
    DC22: 701.17
    DC19: 701.17
    BISAC V2.8: ART009000
    LC subject heading:
    DC22: 701/.17
    LC subject heading:
    LC classification: N68 .K33 1977, N68.K33 19
    BISAC V2.8: ART035000
    Thema V1.0: AGA, ABA
    Edition statement
    Revised edition
    Dover Publications Inc.
    Imprint name
    Dover Publications Inc.
    Publication date
    01 June 1977
    Publication City/Country
    New York
    Table of contents
    Translator's Introduction Part I. ABOUT GENERAL AESTHETIC I. Introduction II. The Movement of the Triangle III. Spiritual Revolution IV. The Pyramid Part II. ABOUT PAINTING V. The Psychological Working of Colour VI. The Language of Form and Colour VII. Theory VIII. Art and Artists IX. Conclusion