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    Conceptual Art: Theory, Myth, and Practice (Paperback) Edited by Michael Corris

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    DescriptionConceptual art was a loose collection of related practices that emerged worldwide during the 1960s and 1970s. It continues to be relevant to contemporary art and remains a lively topic of debate. The most striking features of conceptual art are its de-emphasis on the importance of the art object and its understanding of the role of language in shaping our knowledge of the world and our conception of art. This collection of essays deals with the issues that animated Conceptual art in the anglophone world. It offers readers a wealth of research on the earliest international exhibitions of Conceptual art, interpretation of some of its most important practitioners, and a consideration of the relationship between conceptual art and the intellectual and social context of the 1960s and 1970s. Of special note are the contributions focusing on the explicitly social and political aspirations of this influential avant-garde artistic practice.


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  • Full bibliographic data for Conceptual Art

    Title
    Conceptual Art
    Subtitle
    Theory, Myth, and Practice
    Authors and contributors
    Edited by Michael Corris
    Physical properties
    Format: Paperback
    Number of pages: 380
    Width: 174 mm
    Height: 247 mm
    Thickness: 20 mm
    Weight: 660 g
    Language
    English
    ISBN
    ISBN 13: 9780521530873
    ISBN 10: 0521530873
    Classifications

    Nielsen BookScan Product Class 3: T1.1
    B&T General Subject: 140
    B&T Book Type: NF
    BIC E4L: ART
    B&T Modifier: Region of Publication: 01
    B&T Modifier: Geographic Designator: 04
    BIC subject category V2: ACX
    LC subject heading:
    Ingram Theme: CHRN/1960
    Ingram Subject Code: AT
    Libri: I-AT
    B&T Modifier: Text Format: 02
    BISAC V2.8: ART000000
    Warengruppen-Systematik des deutschen Buchhandels: 15830
    B&T Modifier: Academic Level: 02
    B&T Merchandise Category: UP
    Ingram Theme: CHRN/1970
    BISAC V2.8: ART009000, ART008000
    BIC subject category V2: ACB
    DC22: 709.04075
    DC21: 709.04075
    LC classification: N6768.5.C6
    DC22: 709/.04/075
    LC subject heading:
    LC classification: N6768.5.C63 C66 2004
    LC subject heading: , , , , , , ,
    Thema V1.0: AGA
    Edition statement
    New ed.
    Illustrations note
    69 b/w illus.
    Publisher
    CAMBRIDGE UNIVERSITY PRESS
    Imprint name
    CAMBRIDGE UNIVERSITY PRESS
    Publication date
    01 September 2010
    Publication City/Country
    Cambridge
    Author Information
    Michael Corris has exhibited in galleries and museums internationally since 1972 and is represented in public and private collections in North America and Europe. His writings on art and art theory have been published widely: in artist-run publications (Art-Language, The Fox, and Red-Herring), scholarly journals (Word and Image, Art Journal, and Art History), and the international art press (Artforum, Art+Text, and Art Monthly, among others). Currently, Dr Corris is the editor for a new series of monographs on art since the 1980s (forthcoming 2013), continues to work with colleagues on the editorial board of Transmission Annual (which he co-founded in 2008 with Jaspar Joseph-Lester and Sharon Kivland), and in 2014 will assume the post of book reviews editor for the College Art Association's contemporary art publication, Art Journal.
    Review quote
    '... these contributions open up a welcome historiography of this period.' Art Monthly 'This detailed anthology is an expert recalibration of a theme thinly offered by recent publications. This anthology shows that the legacy of conceptual art remains a transfiguring subject for critics and, if so desired, becomes a profound interrogation for curators. Make it your guide.' Journal of Visual Culture '... this is an incisive and scholarly contribution to the extant literature which ... may well become a benchmark for serious study of the subject area.' Art History
    Table of contents
    Introduction: 'An Invisible College in an Anglo-American World'; Part I. Artists, Object, Spectator: 1. The formalist connection and originary myths of Conceptual art Frances Colpitt; 2. Content, context and conceptual art: Dan Graham's Schema Alex Aberro; 3. 'Almost not photography' Melanie Marino; 4. Soft talk/soft tape: the early collaborations of Ian Burn and Mel Ramsden Ann Stephen; Part II. Display: 5. The second degree: working drawings and other visible things on paper not necessarily meant to be viewed as art James Meyer; 6. When Attitudes become Form and the contest over Conceptual art's history Alison Green; 7. Understanding Information Ken Allan; 8. 'The rotting sack of humanism': Robert Morris and authorship Richard J. Williams; Part III. Recoding Information, Knowledge, and Technology: 9. Affluence, taste and the brokering of knowledge: notes on the social context of early conceptual art Robert Hobbs; 10. Hanne Darboven: seriality and the time of solitude Briony Fer; 11. Art in the information age: technology and Conceptual art Edward A. Shanken; 12. The crux of conceptualism: Conceptual art, the Idea of idea and the information paradigm Johanna Drucker; Part IV. The Limit of the Social: 13. Conceptual work and conceptual waste Blake Stimson; 14. Conceptual art and imageless truth John Roberts; 15. New York discusses its social relations in 'The lumpen Headache' Chris Gilbert; 16. Ian Burn's conceptualism Adrian Piper.