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    Conceptual Art: A Critical Anthology (Paperback) Edited by Alexander Alberro, Edited by Blake Stimson, By (author) Alexander Alberro

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    DescriptionCompared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years--in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians.This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the movement. It also contains more recent memoirs by participants, as well as critical histories of the period by some of today's leading artists and art historians. Many of the essays and artists' statements have been translated into English specifically for this volume. A good portion of the exchange between artists, critics, and theorists took place in difficult-to-find limited-edition catalogs, small journals, and private correspondence. These influential documents are gathered here for the first time, along with a number of previously unpublished essays and interviews.Contributors : Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, RaA * l Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol LeWitt, Lucy Lippard, Lee Lozano, Kynaston McShine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, HA(c)lio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson.


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  • Full bibliographic data for Conceptual Art

    Title
    Conceptual Art
    Subtitle
    A Critical Anthology
    Authors and contributors
    Edited by Alexander Alberro, Edited by Blake Stimson, By (author) Alexander Alberro
    Physical properties
    Format: Paperback
    Number of pages: 624
    Width: 178 mm
    Height: 226 mm
    Thickness: 36 mm
    Weight: 1,157 g
    Language
    English
    ISBN
    ISBN 13: 9780262511179
    ISBN 10: 0262511177
    Classifications

    B&T General Subject: 140
    B&T Book Type: NF
    BIC subject category V2: BG
    Nielsen BookScan Product Class 3: T4.1
    BIC E4L: ART
    B&T Modifier: Academic Level: 01
    B&T Modifier: Subject Development: 01
    BIC subject category V2: ABA
    Ingram Subject Code: AT
    B&T Modifier: Text Format: 02
    Warengruppen-Systematik des deutschen Buchhandels: 25820
    DC22: 700
    B&T Approval Code: A02304044
    B&T Merchandise Category: UP
    BISAC V2.8: ART009000
    BIC subject category V2: ACXJ4
    BISAC V2.8: ART008000
    BIC subject category V2: ACXJ5
    LC subject heading:
    DC21: 709.04075
    Thema V1.0: AGA, DNB, ABA
    Edition statement
    Revised ed.
    Publisher
    MIT Press Ltd
    Imprint name
    MIT Press
    Publication date
    11 October 2000
    Publication City/Country
    Cambridge, Mass.
    Author Information
    Alexander Alberro is Virginia Bloedel Wright '51 Associate Professor of Art History at Barnard College. He is the author of Conceptual Art and the Politics of Publicity (2000), and coeditor (with Blake Stimson) of Conceptual Art: A Critical Anthology (2000), both published by the MIT Press. Blake Stimson is Professor of Art History at the University of California, Davis. He is the author of The Pivot of the World: Photography and Its Nation (2004), and coeditor (with Alexander Alberro) of Conceptual Art: A Critical Anthology (2000), both published by the MIT Press.
    Review quote
    "This is an extraordinary work of archeology inconceptual art, full of surprises. The book brings back to life anincredible array of discussions about rich cultural issues thatdeveloped in the West from the mid-1960s to the mid-1970s. A challenging'idea' book for our 'visual' times." Serge Guilbaut, Professor of Art History and Head,Department of Fine Arts, University of British Columbia