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- Publisher: Yale University Press
- Format: Hardback | 144 pages
- Dimensions: 216mm x 272mm x 18mm | 862g
- Publication date: 3 February 2014
- ISBN 10: 0300204019
- ISBN 13: 9780300204018
- Illustrations note: black & white illustrations, colour illustrations, frontispiece
- Sales rank: 1,036,571
The narrative possibilities of comics art and the accessibility of the form have made it one of the more innovative contemporary genres. Self-publishing and the Internet have given rise to new, autobiographical forms and an increasing number of authors draw from outside the mainstream, whether sexually, ethnically, or politically. In this richly illustrated and accessible survey, acclaimed author Paul Gravett considers the vast output of comics culture from the late 19th century to today, including syndicated comics, graphic novels, and contemporary art and illustration. From foundational masterpieces such as Rodolphe Topffer's and Wilhelm Busch's albums, George McManus's Art Deco "Bringing Up Father," and Alex Raymond's "Flash Gordon" to the later retro stylings of Robert Crumb, Gravett considers lines of influence from around the world and examines how comics have shifted from supporting the status quo to becoming the voice of alternative subcultures. Gravett traces the major themes taking place in contemporary comics, noting the rise of publications that function as questioning, transgressive outlets for outsider stories and ideas, and includes the ways that folk art traditions are reinvigorating the form.
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Paul Gravett is a London-based freelance writer and curator who has worked in comics publishing and promotion since 1981. He was the founder of "Escape Magazine" and director of The Cartoon Art Trust, UK. He is the author of numerous books, including "Graphic Novels: Everything You Need to Know" and "Manga: 60 Years of Japanese Comics. "
"Every fan seeking to connect to his or her deeper creative, appreciative, respectful inner geek needs to read "Comics Art."/div>--Daniel Rasmus "Pop Matters "