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    Collecting the New: Museums and Contemporary Art (Hardback) Edited by Bruce Altshuler

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    Description"Collecting the New" is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works - for example, what is to be done when deterioration is the artist's intent? The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. Fox, Chrissie Iles and Henriette Huldisch, Pamela McClusky, Gabriel Perez-Barreiro, Lowery Stokes Sims, Robert Storr, Jeffrey Weiss, and Glenn Wharton.


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  • Full bibliographic data for Collecting the New

    Title
    Collecting the New
    Subtitle
    Museums and Contemporary Art
    Authors and contributors
    Edited by Bruce Altshuler
    Physical properties
    Format: Hardback
    Number of pages: 208
    Width: 152 mm
    Height: 229 mm
    Thickness: 20 mm
    Weight: 571 g
    Language
    English
    ISBN
    ISBN 13: 9780691119403
    ISBN 10: 0691119406
    Classifications

    B&T General Subject: 140
    B&T Book Type: NF
    BIC E4L: TRG
    Nielsen BookScan Product Class 3: T14.3
    B&T Modifier: Region of Publication: 01
    B&T Modifier: Subject Development: 01
    BISAC V2.8: ART006000
    B&T Modifier: Geographic Designator: 01
    Ingram Subject Code: AT
    BIC subject category V2: WTHM
    B&T Modifier: Text Format: 02
    B&T Modifier: Academic Level: 02
    B&T Merchandise Category: UP
    BISAC V2.8: ART015110
    BIC subject category V2: ABC
    DC22: 708.1309051
    LC subject heading: , , , , ,
    DC22: 708.13/09/051
    LC classification: N6486 .C65 2005
    Thema V1.0: WTHM, ABC
    Publisher
    Princeton University Press
    Imprint name
    Princeton University Press
    Publication date
    26 September 2005
    Publication City/Country
    New Jersey
    Author Information
    Bruce Altshuler is Director of the Program in Museum Studies at New York University and former Director of the Isamu Noguchi Garden Museum, New York. His books include "The Avant-Garde in Exhibition: New Art in the 20th Century" and "Isamu Noguchi".
    Review quote
    In this volume of thoughtful essays, curators, conservators, scholars, and others in the museum world address how institutions should collect, exhibit, and care for the new art... [T]he essays by seasoned professionals bring a new dimensions to the museum-going experience. -- Ann Landi, ArtNews This book is a sensitively-edited collection of twelve essays (including a historical introduction by the editor), which addresses the complexity of the problems and issues that Western museums confront in dealing with contemporary art today. With its selection of diverse and intriguing case studies and specific focus on the contemporary art scene, it is an important and welcome addition to one of the primary fields of museum studies concerning the significance of collecting and collections for museums. -- Masaaki Morishita, Museum and Society
    Flap copy
    "By bringing together such a diverse range of informed voices, this book wonderfully succeeds in suggesting not merely as theory, but with the nitty-gritty feel of reality the very specific considerations that a museum's staff must take into account in determining whether or not to acquire, whether by gift or purchase, any particular work of art. I know of no other English-language publication that has previously addressed this issue with comparable depth or breadth."--Stephen E. Weil, Scholar Emeritus, Smithsonian Center for Education and Museum Studies, author of "Making Museums Matter""Particularly well-organized and accessibly written, this book explores the collecting and preservation of contemporary art created in a wide range of media. Its variety of essays, especially those addressing different types of institutions and various spheres of ethnicity and region, provides a very rich, stimulating, and useful introduction to this important topic."--Jeffrey Abt, Wayne State University
    Table of contents
    Collecting the New: A Historical Introduction by Bruce Altshuler 1 The Right to Be Wrong by Howard N. Fox 15 To Have and to Hold by Robert Storr 29 9 Minutes 45 Seconds by Jeffrey Weiss 41 Breaking Down Categories: Print Rooms, Drawing Departments, and the Museum by Christophe Cherix 55 Keeping Time: On Collecting Film and Video Art in the Museum by Chrissie Iles and Henriette Huldisch 65 Collecting New-Media Art: Just Like Anything Else, Only Different by Steve Dietz 85 Beyond the "Authentic-Exotic": Collecting Contemporary Asian Art in the Twenty-first Century by Vishakha N. Desai 103 The Unconscious Museum: Collecting Contemporary African Art without Knowing It by Pamela McClusky 115 The Accidental Tourist: American Collections of Latin American Art by Gabriel Perez-Barreiro 131 Collecting the Art of African-Americans at the Studio Museum in Harlem: Positioning the "New" from the Perspective of the Past by Lowery Stokes Sims 147 The Challenges of Conserving Contemporary Art by Glenn Wharton 163 Acknowledgments 179 Index 181 Photography Credits 194