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    Choral Mediations in Greek Tragedy (Hardback) Edited by Renaud Gagné, Edited by Marianne Govers Hopman

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    DescriptionThis volume explores how the choruses of Greek tragedy creatively combined media and discourses to generate their own specific forms of meaning. The contributors analyse choruses as fictional, religious and civic performers; as combinations of text, song and dance; and as objects of reflection in themselves, in relation and contrast to the choruses of comedy and melic poetry. Drawing on earlier analyses of the social context of Greek drama, the non-textual dimensions of tragedy, and the relations between dramatic and melic choruses, the chapters explore the uses of various analytic tools in allowing us better to capture the specificity of the tragic chorus. Special attention is given to the physicality of choral dancing, musical interactions between choruses and actors, the trajectories of reception, and the treatment of time and space in the odes.


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    Title
    Choral Mediations in Greek Tragedy
    Authors and contributors
    Edited by Renaud Gagné, Edited by Marianne Govers Hopman
    Physical properties
    Format: Hardback
    Number of pages: 437
    Width: 152 mm
    Height: 228 mm
    Thickness: 29 mm
    Weight: 780 g
    Language
    English
    ISBN
    ISBN 13: 9781107033283
    ISBN 10: 1107033284
    Classifications

    Nielsen BookScan Product Class 3: T3.7
    BIC E4L: LIT
    B&T Book Type: FI
    BIC subject category V2: AN, HBLA
    BIC time period qualifier V2: 3D
    BIC subject category V2: DSG
    B&T Modifier: Region of Publication: 03
    B&T Modifier: Geographic Designator: 05
    BIC subject category V2: DSBB
    BIC language qualifier (language as subject) V2: 2AHA
    BIC geographical qualifier V2: 1QDA
    BIC subject category V2: AV
    Ingram Subject Code: LC
    Libri: I-LC
    Ingram Theme: CHRN/ANCIEN
    B&T General Subject: 500
    Warengruppen-Systematik des deutschen Buchhandels: 11500
    B&T Modifier: Text Format: 02
    B&T Modifier: Geographic Designator: 37
    BIC subject category V2: HBLA1
    B&T Modifier: Academic Level: 02
    B&T Merchandise Category: UP
    LC subject heading:
    BISAC V2.8: HIS002000
    LC subject heading:
    BISAC V2.8: LCO003000
    BIC subject category V2: AFKP, 2AHA
    LC subject heading:
    DC22: 882.0109, 882/.0109
    LC subject heading:
    BISAC V2.8: DRA006000
    DC23: 882.0109
    LC classification: PA3136 .C484 2013
    Ingram Theme: INDS/CLASSI
    Thema V1.0: DSG, DSBB
    Edition statement
    New ed.
    Illustrations note
    5 b/w illus. 3 maps
    Publisher
    CAMBRIDGE UNIVERSITY PRESS
    Imprint name
    CAMBRIDGE UNIVERSITY PRESS
    Publication date
    23 December 2013
    Publication City/Country
    Cambridge
    Author Information
    Renaud Gagne is a University Lecturer in Classics at the University of Cambridge and a Fellow of Pembroke College. His main research interests are early Greek poetry and Greek religion. He is a co-editor of Sacrifices humains. Perspectives croisees et representations (2013) and the author of Ancestral Fault in Ancient Greece (Cambridge University Press, 2013). Marianne Govers Hopman is Associate Professor of Classics and Comparative Literary Studies at Northwestern University, where she specialises in ancient Greek and Latin poetry and mythology. Her publications include articles on Homer, Greek tragedy, Greek hymns and Roman satire, and a book, Scylla: Myth, Metaphor, Paradox (forthcoming).
    Table of contents
    1. Introduction: the chorus in the middle Renaud Gagne and Marianne Hopman; 2. Choral polyphony and the ritual functions of tragic songs Claude Calame; 3. Chorus, conflict, closure in Aeschylus' Persians Marianne Hopman; 4. Choral intertemporality in the Oresteia Jonas Grethlein; 5. Choreography: the lyric voice of Sophoclean tragedy Simon Goldhill; 6. Conflicting identities in the Euripidean chorus Laura Swift; 7. The choral plot of Euripides' Helen Sheila Murnaghan; 8. Transcultural chorality: Iphigenia in Tauris and Athenian imperial economics Barbara Kowalzig; 9. Maenadism as self-referential chorality in Euripides' Bacchae Anton Bierl; 10. The Delian maidens and their relevance to choral mimesis in Classical drama Gregory Nagy; 11. Choral persuasions in Plato's Laws Lucia Prauscello; 12. The comic chorus and the demagogue Jeffrey Henderson; 13. Dancing letters: the Alphabetic Tragedy of Kallias Renaud Gagne; 14. Choral dialectics: Holderlin and Hegel Joshua Billings; 15. Enter and exit the chorus: dance in Britain, 1880-1914 Fiona Macintosh; 16. 'The thorniest problem and the greatest opportunity': directors on directing the Greek chorus Peter Meineck.