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Caravaggio (1986) is probably the closest Derek Jarman came to a mainstream film. Nevertheless, the film reflects Jarman's major concerns: violence; history; homosexuality, and the relation between film and painting. Unlike Jarman's other work it avoids sentimentalizing gay relationships.

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Product details

  • Paperback | 86 pages
  • 134.62 x 185.42 x 7.62mm | 226.8g
  • British Film Institute
  • London, United Kingdom
  • English
  • 0851707246
  • 9780851707242
  • 1,029,117

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