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    Burning Chrome and Other Stories (Paperback) By (author) William Gibson

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    DescriptionTen brilliant, seminal, hard-edged, nerve-enhancing stories from the most influential science fiction writer of our time. Ten brilliant, seminal, hard-edged, nerve-enhancing stories from the most influential science fiction writer of our time. Since they were first published in the 1980s, Gibson's vision has become a touchstone - his lapidary prose seethes with buzz-phrases newly minted yet destined to be current well in to the future. Lowlife characters, ghosts and hallucinations haunt the malls and plazas of an intensely realized holographic world, a name-brand society, with cloned Ninja bodyguards, retro fashions, stunning ideas. Gibson in the year 2000 is the unchallenged guru, prophet and voice of the new cybernetic world order and virtual reality.


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  • Full bibliographic data for Burning Chrome and Other Stories

    Title
    Burning Chrome and Other Stories
    Authors and contributors
    By (author) William Gibson
    Physical properties
    Format: Paperback
    Number of pages: 224
    Width: 130 mm
    Height: 197 mm
    Thickness: 3 mm
    Weight: 159 g
    Language
    English
    ISBN
    ISBN 13: 9780006480433
    ISBN 10: 0006480438
    Classifications

    BIC E4L: SCI
    DC21: 813.54
    Nielsen BookScan Product Class 3: F2.2
    BIC E4L: SST
    BIC subject category V2: FM, FYB, FL
    BISAC Merchandising Theme: TP028
    Ingram Spring Arbor Market: Y
    Ingram Theme: RELI/CHRIST
    Ingram Subject Code: MU
    LC subject heading:
    BISAC V2.8: MUS048010
    Libri: B-232
    Warengruppen-Systematik des deutschen Buchhandels: 21300
    BISAC V2.8: MUS023050, MUS037000
    Publisher
    HarperCollins Publishers
    Imprint name
    HarperVoyager
    Publication date
    27 November 1995
    Publication City/Country
    London
    Author Information
    William Gibson was born in 1948. He was raised and educated in 'southern Lovecraftian' Virginia, USA, but moved to Canada soon after leaving school. He now lives in Vancouver, British Columbia. He is married and has two children.
    Review quote
    'A fistful of fast, challenging, hot-wired short stories' New Musical Express 'Furiously inventive, brilliantly written, the cutting edge of sf' Guardian 'Some subversives are still at work proving that SF can pack its strongest blows into its shortest works... He's at his best dealing with the victims of the new, the people burnt out by drugs, computers, huge corporations or the strangeness of space' Fiction Magazine 'At once a lament and a critique, these stories show the way SF is being rewired. Gibson, his finger jitteringly on the fast-forward button, shows the direction in which our literature might be headed' The Times
    Review text
    Ten tales, 1977-85 - Gibson's entire output to date - including three collaborations. The backdrop is, by now, a familiar one: a near-future of high-tech heavy metal, dominated by rapacious multinational corporations, and with a vast gulf between the haves and the have-nots - but where even the most pathetic lowlife is able to plug into the global "cyberspace" computer network. The stories here feature: a courier who carries, in his unconscious mind, secret computer programs that can be retrieved only with the correct code; a photographer who sees ghosts from a might-have-been future envisaged by the 1930's pulp science-fiction magazines; sensory hologram cassettes; corporate dirty tricks; and human/computer interfaces; Plus, in a more satisfying vein: astronauts disappear into a mysterious space-warp, only to return - after contacting alien civilizations-dead or insane the title piece, a computer-world battle over a vast fortune in illicit gains; barflies who turn into mutants capable of existing solely on alcoholic drinks (with John Shirley); Russian cosmonauts trying to prevent the abandonment of their orbiting space stations (with Bruce Sterling); and (with Michael Swanwick) dogfights with computer-projected WW I biplanes. These grim, often repetitious themes and scenes (as in the novels Neuromancer and Count Zero, p. 167) are set forth in highly textured but largely unevocative prose, and many readers will weary of the psychotic or merely unpleasant characters, the sheer ugliness of Gibson's visions. Alluring stuff - if you happen to be on Gibson's sharply delimited wavelength. (Kirkus Reviews)