The Bloody Chamber And Other StoriesPaperback
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- Paperback $6.00
- Publisher: Vintage Classics
- Format: Paperback | 176 pages
- Dimensions: 130mm x 197mm x 11mm | 138g
- Publication date: 3 September 2009
- Publication City/Country: London
- ISBN 10: 0099529599
- ISBN 13: 9780099529590
- Sales rank: 301,034
From the liars of the fantastical and fabular and from the domains of the unconscious's mysteries...lie the brides in the Bloody Chamber - hunts unwillingly the Queen of the Vampires - slips Red Riding Hood into the arms of the Wolf - pimps our Puss-In-Boots for his lustful master. In tales that glitter and haunt - strange nuggets from a writer whose wayward pen spills forth stylish, erotic, nightmarish jewels of prose - the old fairy stories live and breathe again, subtly altered, subtly changed.
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Angela Carter was born in 1940. She read English at Bristol University, and from 1976-8 was a fellow in Creative Writing at Sheffield University. She lived in Japan, the United States and Australia. Her first novel, Shadow Dance, was published in 1965, followed by The Magic Toyshop (1967, John Llewellyn Rhys Prize), Several Perceptions (1968, Somerset Maugham Award), Heroes and Villains (1969), Love (1971), The Infernal Desire Machines of Doctor Hoffman (1972), The Passion of New Eve (1977), Nights at the Circus (1984, James Tait Memorial Prize) and Wise Children (1991). Four collections of her stories have been published: Fireworks (1974), The Bloody Chamber (1979, Cheltenham Festival of Literature Award), Black Venus (1985) and American Ghosts and Old World Wonders (1993). She was the author of The Sadeian Woman: An Exercise in Cultural History (1979), and two collections of journalism, Nothing Sacred (1982) and Expletives Deleted (1992). She died in February 1992.
Magnificent set pieces of fastidious sensuality Angela Carter has extended the life and richness of the fable form itself partly through language that is both pellucid and sensual, but chiefly through imagination of such Ariel reach that she can glide from ancient to modern, from darkness to luminosity, from depravity to comedy without any hint of strain and without losing the elusive power of the original tales The Times Extraordinary and beautiful The Bloody Chamber's interweaving of retold fairy tales demonstrates Angela Carter's narrative gift at its most mocking and seductive Observer