Blood Bread & Poetry: Selected Prose 1979 -1985Paperback Norton Paperback
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- Publisher: WW Norton & Co
- Format: Paperback | 256 pages
- Dimensions: 137mm x 206mm x 20mm | 272g
- Publication date: 26 March 1996
- Publication City/Country: New York
- ISBN 10: 0393311627
- ISBN 13: 9780393311624
- Edition statement: Reissue
- Sales rank: 259,383
Examining the connections between history and the imagination, ethics and action, she explores the possible meanings of being white, female, lesbian, Jewish, and a United States citizen, both at this particular time and through the lens of the past.
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Widely read, widely anthologized, widely interviewed and widely taught, Adrienne Rich (1929-2012) was for decades among the most influential writers of the feminist movement and one of the best-known American public intellectuals. She wrote two dozen volumes of poetry and more than a half-dozen of prose. Her constellation of honors includes a National Book Award for poetry for Tonight, No Poetry Will Serve, a MacArthur Foundation "genius" grant in 1994, and a National Book Award for poetry in 1974 for Diving Into the Wreck. That volume, published in 1973, is considered her masterwork. Ms. Rich's other volumes of poetry include The Dream of a Common Language, A Wild Patience Has Taken Me This Far, An Atlas of the Difficult World, The School Among the Ruins, and Telephone Ringing in the Labyrinth. Her prose includes the essay collections On Lies, Secrets, and Silence; Blood, Bread, and Poetry; an influential essay, "Compulsory Heterosexuality and Lesbian Existence," and the nonfiction book Of Woman Born, which examines the institution of motherhood as a socio-historic construct. In 2006, Rich was awarded the Medal for Distinguished Contribution to American Letters by the National Book Foundation. In 2010, she was honored with The Griffin Trust for Excellence in Poetry's Lifetime Recognition Award.
"Rich not only asserts but demonstrates that every woman's soul is haunted 'by the spirits of earlier women who fought for their unmet needs'... Throughout, Rich underscores the duty of American women artists to 'take women's existence seriously as a source of art.' Highly recommended."