The Bell Jar

The Bell Jar

Paperback Faber Paper Covered Editions Language: English / Spanish

By (author) Sylvia Plath

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  • Publisher: Faber & Faber Fiction
  • Format: Paperback | 240 pages
  • Language: English / Spanish
  • Dimensions: 124mm x 196mm x 18mm | 180g
  • Publication date: 9 April 2001
  • Publication City/Country: London, England
  • ISBN 10: 0571081789
  • ISBN 13: 9780571081783
  • Sales rank: 1,163

Product description

The Bell Jar is Sylvia Plath's only novel. Renowned for its intensity and outstandingly vivid prose, it broke existing boundaries between fiction and reality and helped to make Plath an enduring feminist icon. It was published under a pseudonym a few weeks before the author's suicide. 'It is a fine novel, as bitter and remorseless as her last poems ...The world in which the events of the novel take place is a world bounded by the Cold War on one side and the sexual war on the other ...This novel is not political nor historical in any narrow sense, but in looking at the madness of the world and the world of madness it forces us to consider the great question posed by all truly realistic fiction: What is reality and how can it be confronted? ...Esther Greenwood's account of her year in the bell jar is as clear and readable as it is witty and disturbing.' New York Times Book Review

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Author information

Sylvia Plath (1932-1963) was born in Boston, Massachusetts, and studied at Smith College. In 1955 she went to Cambridge University on a Fulbright scholarship, where she met and later married Ted Hughes. She published one collection of poems in her lifetime, The Colossus (1960), and a novel, The Bell Jar (1963); Ariel was published posthumously in 1965. Her Collected Poems, which contains her poetry written from 1956 until her death, was published in 1981 and was awarded the Pulitzer Prize for poetry.

Editorial reviews

It is difficult to read Sylvia Plath's novel (which appeared in England under a pseudonym in the year of her death, 1963) with any degree of objectivity since it deals with her earlier breakdown and suicide attempt. The telltale lesions are everywhere and in the hindsight of what has happened, the experience of the bell jar ("To the person in the bell jar, blank and stopped as a dead baby, the world itself is the bad dream") becomes even more fateful. Certainly any marginal illusion of fiction is nullified. When first met Esther is a naive nineteen-year-old who reads and writes poetry, who remembers with some irritation the first boy she really dated at college, and who comes to New York for a few weeks in the summer of her junior year having won one of those magazine apprenticeship awards. Esther broods over the Rosenbergs' electrocution (some of Miss Plath's parallels are too obvious to even be justified as symbols); she overeats; she becomes immobilized in indecision and returns home to lie in bed and never sleep. After one or two visits with a non-verbal psychiatrist who gives her shock treatment, she attempts suicide and the rest of the account deals with her institutionalization and ?? An occasional line ("A heavy naughtiness pricked through my veins") offends, but there's some remarkable writing with a straightforward and irreducible simplicity: "The silence depressed me. It wasn't the silence of silence. It was my own silence." There is no mistaking or evading the airless suspension of life within the bell jar. (Kirkus Reviews)