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    Art and Identity in Thirteenth-century Byzantium: Hagia Sophia and the Empire of Trebizond (Birmingham Byzantine and Ottoman Monographs) (Hardback) By (author) Antony Eastmond

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    DescriptionThe church of Hagia Sophia in Trebizond, built by the emperor Manuel I Grand Komnenos (1238-63) in the aftermath of the fall of Constantinople to the Fourth Crusade, is the finest surviving Byzantine imperial monument of its period. Art and Identity in Thirteenth-Century Byzantium is the first investigation of the church in more than thirty years, and is extensively illustrated in colour and black-and-white, with many images that have never previously been published. Antony Eastmond examines the architectural, sculptural and painted decorations of the church, placing them in the context of contemporary developments elsewhere in the Byzantine world, in Seljuq Anatolia and among the Caucasian neighbours of Trebizond. Knowledge of this area has been transformed in the last 20 years, following the collapse of the Soviet Union. The new evidence that has emerged enables a radically different interpretation of the church to be reached, and opens questions of cultural interchange on the borders of the Christian and Muslim worlds of eastern Anatolia, the Caucasus and Persia. This study uses the church and its decoration to examine questions of Byzantine identity and imperial ideology in the 13th century. This is central to any understanding of the period, as the fall of Constantinople in 1204 divided the Byzantine empire and forced the successor states in Nicaea, Epiros and Trebizond to redefine their concepts of empire in exile. Art is here exploited as significant historical evidence for the nature of imperial power in a contested empire. It is suggested that imperial identity was determined as much by craftsmen and expectations of imperial power as by the emperor's decree; and that this was a credible alternative Byzantine identity to that developed in the empire of Nicaea.


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  • Full bibliographic data for Art and Identity in Thirteenth-century Byzantium

    Title
    Art and Identity in Thirteenth-century Byzantium
    Subtitle
    Hagia Sophia and the Empire of Trebizond
    Authors and contributors
    By (author) Antony Eastmond
    Physical properties
    Format: Hardback
    Number of pages: 268
    Width: 178 mm
    Height: 244 mm
    Thickness: 24 mm
    Weight: 762 g
    Language
    English
    ISBN
    ISBN 13: 9780754635758
    ISBN 10: 0754635759
    Classifications

    B&T Book Type: NF
    BIC E4L: ARC
    Nielsen BookScan Product Class 3: T1.5
    BIC subject category V2: AMN, HBJD, HBLC
    BIC time period qualifier V2: 3H
    B&T Merchandise Category: TXT
    B&T Modifier: Region of Publication: 03
    B&T Modifier: Subject Development: 01
    B&T General Subject: 431
    B&T Modifier: Academic Level: 02
    B&T Modifier: Subject Development: 35
    B&T Modifier: Geographic Designator: 07
    BISAC V2.8: HIS002000
    B&T Modifier: Geographic Designator: 36
    BIC geographical qualifier V2: 1QDAZ
    BIC subject category V2: 3H, 1QDAZ
    LC classification: DF609
    DC22: 726.509565
    LC subject heading: , ,
    DC22: 726.5/09565
    LC classification: NA5871.T7 E37 2004
    LC subject heading: , ,
    Thema V1.0: AMN, NHDJ
    Thema time period qualifier V1.0: 3KL
    Thema geographical qualifier V1.0: 1QBCB
    Illustrations note
    135 illustrations,21 colour 2 maps
    Publisher
    Ashgate Publishing Group
    Imprint name
    Variorum
    Publication date
    20 October 2004
    Publication City/Country
    Aldershot
    Author Information
    Antony Eastmond is Chair of the Department of Art History at the University of Warwick, UK.
    Table of contents
    Preface; Introduction: the Byzantine empires in the 13th century; Hagia Sophia and its contexts; Architecture and the construction of identity; Trebizond as imperial capital: ceremonial and processions; Adam, exile and 'Byzantine' culture; Ornamental sculpture and cultural orientation: Trebizond, the Seljuqs, and the Caucasus; Wall paintings and politics: rebuilding empire?; Art, the liturgy and modernity; Manuel I Grand Komnenos: the embodiment of empire; Conclusion; Appendix of rulers; Bibliography; Index.