The Art of Euripides: Dramatic Technique and Social ContextHardback
- Publisher: CAMBRIDGE UNIVERSITY PRESS
- Format: Hardback | 376 pages
- Dimensions: 150mm x 232mm x 26mm | 680g
- Publication date: 30 April 2010
- Publication City/Country: Cambridge
- ISBN 10: 052176839X
- ISBN 13: 9780521768399
- Edition: 1
- Edition statement: New.
- Illustrations note: black & white illustrations
- Sales rank: 1,324,723
In this book Professor Mastronarde draws on the seventeen surviving tragedies of Euripides, as well as the fragmentary remains of his lost plays, to explore key topics in the interpretation of the plays. It investigates their relation to the Greek poetic tradition and to the social and political structures of their original setting, aiming both to be attentive to the great variety of the corpus and to identify commonalities across it. In examining such topics as genre, structural strategies, the chorus, the gods, rhetoric, and the portrayal of women and men, this study highlights the ways in which audience responses are manipulated through the use of plot structures and the multiplicity of viewpoints expressed. It argues that the dramas of Euripides, through their dramatic technique, pose a strong challenge to simple formulations of norms, to the reading of consistent human character, and to the quest for certainty and closure.
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Donald J. Mastronarde is Melpomene Distinguished Professor of Classics at the University of California, Berkeley. He has published extensively on Greek tragedy and Euripides in particular, including Euripides: Medea (Cambridge University Press, 2002) and Euripides: Phoenissae (Cambridge University Press, 1994).
'... for a scholar of ancient drama, this is a valuable study. It aggregates different strands of research tradition and handles them as a whole, but the main attention remains focussed on Euripides' dramatic texts.' De novis libris iudicia
Table of contents
Preface; 1. Approaching Euripides; 2. Problems of genre; 3. Dramatic structures: variety and unity; 4. The chorus; 5. The gods; 6. Rhetoric and character; 7. Women; 8. Euripidean males and the limits of autonomy; Conclusion.